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Dingwall Owners Club

I have heard so many horror stories about the neck dive and the body shape just looks uncomfortable to play on the Thunderbirds. I know Sheldon has worked long and hard and that balance and comfort is a primary design goal. Plus, that headstock is amazing. I love all the Dingwall model's headstocks.

There are literally none of the Thunderbird's shortcomings left in the D-Bird design; it very well may be the only bass I'm willing to wait a year and a half for ;)
 
Those of you lusting after a D-Bird - what is your primary reason for this? I suspect it's the baddass looks. Am I wrong?

Obviously, I have one but that was the main incentive when I heard DW was coming out with the DBird. I’ve always loved Thunderbird basses but the many times I picked one up to play....no sir. Just neck heavy and the tone, for me, was meh.

Enter the D Bird...weight issues, balance and tone all handled with authority. What started as lust for the look, quickly turned into lust for the tone once I played one at the Darkglass booth at NAMM last year. The D Bird has soooo many good tones in it. The middle pickup solo’d is my current favorite as it just gives such a grindy, focused and HUGE P bass style tone. The big surprise for me was the series setting with all 3 pickups in operation. It provides me with the must lucious warm, fat yet articulate (those 2 usually don’t go together but do with the D Bird) fingerstyle tone I’ve ever had. Game changer of a bass for me.
 
Obviously, I have one but that was the main incentive when I heard DW was coming out with the DBird. I’ve always loved Thunderbird basses but the many times I picked one up to play....no sir. Just neck heavy and the tone, for me, was meh.

Enter the D Bird...weight issues, balance and tone all handled with authority. What started as lust for the look, quickly turned into lust for the tone once I played one at the Darkglass booth at NAMM last year. The D Bird has soooo many good tones in it. The middle pickup solo’d is my current favorite as it just gives such a grindy, focused and HUGE P bass style tone. The big surprise for me was the series setting with all 3 pickups in operation. It provides me with the must lucious warm, fat yet articulate (those 2 usually don’t go together but do with the D Bird) fingerstyle tone I’ve ever had. Game changer of a bass for me.
Yes, I have a D-Bird selector switch than I might try in my Z3. Congrats you must be one of the first on the planet to own one of these.
 
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Sheldon talked about it at L and M said it's a difficult tasting to make it a 5. So may be awhile.
Heck, they are still backlogged on the original 4 orders, so yes I think it will be some time before we see a 5 D-bird.
 
Adrian (@ Nordstrand) was serious when he said that the Big Split would barely fit into the Super Fatty shell:

dzh7Hvi.jpg


You may be able to tell from the picture that the (long) sides are slightly bowed out. No big deal for me - it won't be noticeable after installation. Gratification must be delayed. Life happened and there is no time for recording 'before clips', swapping pickups, and recording 'after clips' this weekend... :rollno:
 
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The D-bird sure is sweet in a pure-rock-n-roll way. I gassed for a white and black Epiphone T-birb back in the day, but after playing one, I was forever turned off by the boat-anchor, neck diving, blah toned things.

If they make one in a sweet matte orange, oh boy, that'd be about the only T-birb I'd ever really lust for.
 
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Those of you lusting after a D-Bird - what is your primary reason for this? I suspect it's the baddass looks. Am I wrong?
Obviously, I have one but that was the main incentive when I heard DW was coming out with the DBird. I’ve always loved Thunderbird basses but the many times I picked one up to play....no sir. Just neck heavy and the tone, for me, was meh.

Enter the D Bird...weight issues, balance and tone all handled with authority. What started as lust for the look, quickly turned into lust for the tone once I played one at the Darkglass booth at NAMM last year. The D Bird has soooo many good tones in it. The middle pickup solo’d is my current favorite as it just gives such a grindy, focused and HUGE P bass style tone. The big surprise for me was the series setting with all 3 pickups in operation. It provides me with the must lucious warm, fat yet articulate (those 2 usually don’t go together but do with the D Bird) fingerstyle tone I’ve ever had. Game changer of a bass for me.

What Lee said.

The bass has tones available that I've literally never heard from another instrument, other Dingwall's included.

Wenge neck + mahogany body + unique pickup combinations+ perfect balance + an incredible neck feel = YES PLEASE