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I see this as the manufacturers are cheaping out and going with the most basic of finishes, again (this tends to be cyclical in nature). You know, the standard finish options: blue, red white, and sunburst.
Not to mention a straight neck that will remain straight.You get a whole variety of different wood options, finishes, and inlays, as well as choice of neck width and profile, headstock shape, and number of positions.
Where'd you get that real gold leaf finish for that kind of dough (boomer term)?![]()
I am an early GenX. Millennial's and Boomers have forgotten about us.
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Such as sunburst finishes.
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You bought an EHB1005MS but you claim to have small hands.Sure. Between guitars, & now basses I've almost consistently gravitated towards Ibanez instruments as their necks almost universally feel right in my small hands, even on extended range instruments. Feel of an instrument is by far the most important parameter for me.
Sound, so long as its passable, is a secondary or tertiary thing. I'm not too hung up on specific hardware & it can be replaced with other pickups in the right form factor. Tones can always be massaged into sounding different with the right processing, though it is nice to have something that's perfect right out of the bass. It's really just a matter of it not sounding way out of wack / being able to be set up on the acoustic side of the instrument.
Inevitability I may end up with a mirror shiny burst-covered instrument because it has the right sound & feel for me, at a price I can afford. It's a balancing act really. If something feels & sounds amazing but looks hideous it's a real long think on if I want to put up with it or get it redone. If something looks amazing but feels & sounds awful, it's a no-go.
That all said- I made this thread because I've seen a lack of fretless basses being made today that aren't that, and it's really not my aesthetic preference. I'm riding off of having recently got an Ibanez EHB1005MS which really has it all- the playability, the balance & weight, the eclectic looks, a decent sound. In the fretted world there are so many options like this for someone to find an instrument that suits them but it just seems there's a dearth of aesthetic variety for fretless basses being made.
I like to think so. This one was never 'burst.View attachment 4708890
Japanese whiskey gives me funny ideas, maybe OP had some of that.i'm curious about how those two things are connected in your non-boomer experience(?)
i don't ever recall having any "japanese whiskey" but it seems like an idea worth exploring!Japanese whiskey gives me funny ideas
More like 13 pages that are mostly helpful and informative. I’m surprised this thread didn’t just fade away after 4 or 5 posts. Like I said early, credit to the boomers for still helping out. Daniel thought that Mr Miaggi was a fool for making him paint the fence, but that old man was still willing to help too.
Look. If mods need to close the thread, then do so. But sincerely- while the demographic remarks were a little troll-y, yes, they were meant as a good faith jab meant to highlight that not many fretless basses are being made targeted at people my age. It was never meant to insult anybody and I'm sorry that people have been hurt by it. Intent & tone are hard to communicate in text.
Again like... It was just a bit of fun to highlight that young people aren't playing these (lovely sounding) instruments as much.
Easy there! I wholeheartedly believe that I am entitled to government-funded “mwah” and that poor intonation is a product of systemic bassism.Of course your generation doesn't play fretless much. Fretless is hard work.
joke!