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Hobbyists -vs- Real Musicians?

"...plays a musical instrument... or is musicially talented."

Tell me more about these musicians who are musically talented, but don't play a musical instrument.
Singers. The term is “musician” not “instrumentalist”. In a sense you could say they are the real musicians - they can make music without a mechanical appendage.
 
Someone's degree of musical skill has little to do with how they earned that skill (working professionally vs. amateur hobbyist). I consider myself a musician (albeit not a terribly good one, but getting better) and a hobbyist, the two are not mutually exclusive. Unless they're raging egotists / narcissists, most seasoned pros have been playing long enough to learn to trust someone's actual abilities vs. any labels that might be attached to them.
 
I believe a lot of people are still hung up on some initial, maybe childhood, concept of “making it big”—-whatever that meant to them—and they are still trying to conform definitions of words like “musician” and “professional” and “success” in ways that make them feel good about themselves, while of course discouraging others.

And this whole time I thought I was reading the opinion of a pro who judged others not worthy. Rather, we were seeing a self-assessment projected outward.

It was the mathematical inverse of what I initially predicted!
 
Don't know about theirs, but mine has nothing to do with earning money from music. Being good enough to be paid is fine, actually getting paid is irrelevant. YMMV.

For me, you can be happy with where you're at musically, but I'd define "successful" in the commercial sense in that you pass the large cheese pizza test - you can feed a family of four. For that, I'd recommend going the front man route rather than as a backing bassist.
 
If you are playing bass and find enjoyment in what you do, you're doing it right.

Agree most of all with the last line. I am a horrible bassist. I took up bass because after 34 years of playing guitar and not having "guitarist's hands," I mute strings I don't want to, and it makes me horrible, at least to my ear. I'm picking up bass more readily, but here's the big picture to me:

Music takes me places where other things in life don't. Music makes me happy. Happiness is a tough thing for me to grab by the neck and force it to keep me company. Music has an uncanny ability to invite happiness into my head and coaxes it into sticking around.

The first 8 bars of "Watching the Wheels" makes me incredibly happy. The first 8 bars of "Radar Love" makes me happy. Same for a few notes here and there from songs like, What Is And What Should Never Be, Ramble On, Money, Wild Night, Hey Joe, I'm Not In Love, Penny Lane, Rain, Paperback Writer, Hello it's me, Ballad of John and Yoko, Slit skirts, Jail break, Everyday I write the book, Blinded by the light (by Springsteen), Radio Free Europe, The Royal Scam, Down On Main Street, Silly Love Songs, Rundgren's In Your Eyes, Jim Croce's Operator, The Dead's Ramble On Rose, Deacon Blues, Just a girl, Short skirt long jacket, Werewolves of London, Longview, Santeria, The Things We Do For Love, The Cars' Touch and Go, Tin Man by America, With A Little Help From My Friends, and maybe a few hundred others.

OP, I hear your question, I understand your concern and appreciate the need for resolution, but in MY world; I could give less of a poopie about backseats, stations in life, and the definition of "Real" when it comes to the bass or any other instrument. I'm in this for the happiness. Music makes me happy.

The lyric "Drink scotch whisky all night long, and die behind the wheel," makes me forget about life. The guitar solo in The Cars' Touch and Go makes me giddy. That's MORE than good enough for me.

Thanks for letting me ramble.
 
Playing and writing music has been the only constant for me for many years.... (real!)Jobs come and go, have had dozens (maybe even hundreds) in just about every industry you can imagine and they pay the bills where as the income from music has been a steady trickle. I first consider myself as a musician because it consumes me, guides me and moulds the way I think and live my life, everything else is just a distraction.
 
Does that make it right for someone to follow me around & try to disqualify my opinion about things & even go so far as to knock my skills (you can't make a p-bass versatile, because of YOU)?
No, it doesn’t.

But also asking about whether a certain overdrive holds together in the mix, I would value the input of gigging players more: sonically dense environment, and playing in different rooms with different acoustic properties just means they have more experience evaluating that piece of gear.

But there is absolutely no call for heckling on this forum. You should have reported that user to the mods.
 
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For me, you can be happy with where you're at musically, but I'd define "successful" in the commercial sense in that you pass the large cheese pizza test - you can feed a family of four. For that, I'd recommend going the front man route rather than as a backing bassist.
No family of four to feed, for me "success" is being happy with where I'm at in my musical journey - nothing more, and nothing less.
 
...and if I did need to feed a family of 4, any music career, not just bass, would be out of the question. I've never been more than "don't quit your day job" good. And don't ever expect to be - the chances of me out-earning my day job as a musician are very nearly 0.
 
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A frequent side topic on many threads covers "real musicians" - you have to gig five nights a week to consider yourself a real musician. And then the - if you don't play originals, you're just playing someone else's music, might as well be a juke box -vs- play covers - it's what the crowd wants to hear. Then the classic - if you have expensive basses, you're a bedroom hack, it's all in the fingers.

Why do we care so much about what everyone else is doing? We're all bassists and just the fact that we chose bass means that we're largely taking a backseat to the rest of the band. Copyrights are determined by lyrics, chord progressions and melodies. Screw the bass line. If we really wanted to be successful musicians, we'd work on vocal skills and play an acoustic fronting a band. So, maybe it's pent up frustration about nobody really caring about what the bass does until we screw up - then people notice.

If you just enjoy playing at home - that's great! You're still playing bass! If you play originals - awesome! If you're into covers or a tribute - rock it strong! Play a Squier - kudos! Play a MTD - great! Only a very few are actually going to make a living at this. Getting home at 2:30AM for $75-100 gets old quickly for some.

If you are playing bass and find enjoyment in what you do, you're doing it right.
I think it is kind of a strange position myself I was once a Pro I ate and slept music and no day time job to speak of from 1979-89. Now I play locally and only few times a month on the weekend
Its kind of like saying okay you were a college professor for 10 years, but no longer can be at that level, because you are no longing doing it full time? Like you said if you are enjoying what you do with the your bass, be it playing in a original gig, cover band, or just in your basement just have fun with, it life's too damn short.
 
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