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Let's see those Work Horse Basses!

#341
A6158A3E-C88F-405F-BB4B-5BDE86D12FB2.jpeg
 
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#350
emjay said:
My go-to bass - '91 Alembic Essence 4 strung with R. Cocco. Maple and mahogany body, maple neck, ebony fretboard. Standard on-board pre-amp with volume, pan and tone controls, plus the optional "Q switch"; which is essentially a low-pass filter. It's a sweet playing and sounding bass (if you like a that piano like sound), very adjustable tone-wise and setup-wise.



environment. View attachment 2924318 View attachment 2924320
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I'm not exactly sure what is going on in these pictures, but I like it!

I'm not sure I have a workhorse bass. Monday in the studio it was my '70 P bass. Saturday with the classic rock/originals band, I was debating between my 4-94 and my Gibson Thunderbird. That show got canceled, so I have an acoustic-ish show instead, and I will probably take either my Gretsch G5123b or my Fender Jazz Special fretless. When I play with my rock band, my Spector is always my #1.

But, no matter what I'm doing, my backup bass is always my Fender Nate Mendel Precision. Maybe this counts as my workhorse?
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#352
a_n_n_e said:
back in 2006, my senior year in high school, my dad told me he wanted to get me a nice bass as a christmas/graduation gift. i asked him for a price range and he just told me to find something and he would see what he could do. i spotted the 57AVRI in a fender catalog and just fell in love with the looks of the thing (my first bass was a P so i wasn't worried about picking it out only based on looks) circled it and showed my dad. again he just said he would see what he could do. i thought that there was no way i'd actually get it, it was $1400 and that was more than twice as much money as either of us had into any instrument at the time.

come christmas morning tho he surprised me with it (and my mom and i surprised him with a 4003) and ever since it's just been the one. sometimes i think about using another one of my basses as my main for a gig, but i always end up going with the 57. there's just something special about it. i play hard, and have a habit of throwing/dropping/kicking/standing on it on stage. nothing has ever broken on it, and i've only ever really had to make minor bridge adjustments over the years. it just stays set up where i want it. thank god, because i do not want to have to take the neck off for a truss rod adjustment.

yes, i know, it's very filthy.View attachment 2919462 View attachment 2919467
also in case you're wondering, gregory was a stray cat that hung out at my friend's bar and he was my favorite.
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Was lookin' fer sum inspiration. Thanks. Love this.
 

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