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NBD (Fauxdera content)

Fraud is fraud. Rickenfakers are BS imho as are these Fauxderas. People who buy fakes are perpetuating thievery. I'm sure that some years back people looked at fake Rolexes and said, "obvious fake, can't hurt the brand." Today you can find ones that are almost indistinguishable sold for low and high prices. So at this point any used Rolex is suspect. Bad for the brand, bad for owners and buyers.

I have no problem with some builder knocking off the shape or general design. But the logo is my personal line in the sand - at that point it is only there to fool some of the people some of the time. And that is to the detriment of the brand, and more broadly, to all owners.

ymmv. People have to follow their own moral compass. I know musicians who have downloaded thousands of free/pirated mp3 files and have no problem with it. After all, it is the 21st century and everything should be free or at least ridiculously cheap. Then they wonder why there are no paying gigs and day jobs are all low paying service sector...

Doesn't this phrase completely undermine the entire boutique builder industry and their expensive prices?
 
Well, today was the day that Charles brought the Fauxdera to the shop. The one word that came out of our mouths multiple times was "crude." Without reviewing the instrument in detail, I would absolutely say that anyone paying the $300 that this cost could do MUCH, MUCH better in virtually every way...from build quality, playability and tone. This instrument was just bad. Lots of sloppy workmanship, terrible sound and horrible electronics.

While we appreciate that people think highly enough of what we are doing to copy it, we would feel terrible for anyone having to suffer through an instrument this poorly built.

We really appreciate Charles taking the time (and spending his money) to allow us this opportunity.

Kindest regards,

Jason

No offense, but someone who builds the bass that was being copied would be bound to say these things. Who praises someone for ripping off their designs?
 
No offense, but someone who builds the bass that was being copied would be bound to say these things. Who praises someone for ripping off their designs?

I don't think a manufacturer who builds botique multigrand basses should be afraid of losing customers to a chinese manufacturer.
That said, IME with chinese basses, they tend to have really poor 'tronics and finish especially. Build quality of course leaves much to be desired, but those things are playable. Getting one as a project bass might turn out very satisfying. I'm talking about chinese basses in general of course, not necessarily Fodera or Warwick or whatever ripoffs.
 
ymmv. People have to follow their own moral compass. I know musicians who have downloaded thousands of free/pirated mp3 files and have no problem with it. After all, it is the 21st century and everything should be free or at least ridiculously cheap. Then they wonder why there are no paying gigs and day jobs are all low paying service sector...

That's quite an assumption you're making... There are lots of musicians who release their stuff for free and/or even freakin support "piracy". In this day and age it's just a way to reach a broader audience. You don't want people dropping ten bucks on your cd and finding out they don't like it. You want people listening to the music and deciding what's it worth to them.
 
I could see why Fodera is concerned, the gear geeks here on talkbass will know the difference, but talkbass =/= the entire bass community let alone musicians in general. If people (especially other musicians and bandleaders and producers) start to associate the general appearance of a Fodera with cheap basses that have noisy electronics, they will not be as receptive the genuine article. If no one wants to gig with a Fodera player, they switch basses. Fodera loses.

How likely is that? (Hint: not likely at all.)
 
In all honesty, I am starting to regret going public on this. I thought that that there was a modicum of interest an honest and objective review of a Fauxdera. Unfortunately, all it has done is started a couple flame wars and nurtured mild defamation of my character. All this because I tried to help a small business and review a bass objectively and publicly. :spit:

Come on, you had to expect some flack over this issue. I am with you 1,000 percent on this. Don't let the ramblings of a few nattering nabobs of negativism soften your resolve. Your intentions are true and your actions are honorable. Sally forth with fortitude and righteousness.
 
Are you serious? How could I or our Company benefit by publicly writing something that is not true? We still have the copy here at the shop. You and everyone else that reads this thread is welcome to come and play it right alongside the genuine article. I would also hope that anyone that takes the time to actually do this research will report back on what they learned. If their take on the instrument is materially different than what I posted earlier this year I will publicly apologize.

You obviously do not know me or our company's ethos at all. If the bass "wasn't bad at all," that is exactly what I would have said. The Fodera thread is filled with many frank discussions of our human foibles and shortcomings.

Jason

It's not like Fodera is going to say "It's actually not bad guys!" Of course they're going to say it's a piece of trash. Their opinion is completely meaningless.
 
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I'm surprised that people are going to such lengths to parse the issue until they can knock down the resulting arguments easily. Yes, the Fauxdera is not in the same price range as a real Fodera. Yes, no bassist would ever confuse the Fauxdera with a real Fodera. Yes, you would have to take Fodera's statement with a pinch of salt...

None of these steps solve the issue. Fodera come up with original designs. American luthiers have to adhere to all sorts of regulations, restrictions and be ready with a paper audit trail at the first whiff of trouble. I remember seeing the thread on here documenting how little money a luthier actually makes once you break down their per-hour earnings, factoring in the cost of heating, lighting and tools/materials purchases.

Therefore I think Fodera should be 100% compensated for bringing this design into the world. IF Fodera go down the route of getting a Korean/Chinese plant to manufacture a budget range in the future (unlikely as it may seem), then that is their choice. The Chinese plants that sit at the back of DHGate really do not care what they manufacture as long as they can scalp some money through deceitful practices. You might as well argue that they don't make musical instruments as much as they make instrument replicas designed to make people think they saved a few pennies. How long do these instruments hold up in the long run? Will the trussrod strip on the first turn? Will the electronics break down? Will the pickup fail and become an open coil?

Did the kids, paid peanuts to spray on the inch-thick bullet-proof lacquer, get to wear masks? Was this too high a cost for the plant owners? Who knows.
 
:crying: You guys have it so hard :crying:

I'm Scottish. :D I imagine European manufacturers have the same issues; ISO 14000/14001 compliancy, the WEEE directive... even Yamaha instruments turn up with that 'don't throw me in the trash' sticker under the clear coat... It would appear that you cannot compete in a market if your competition does not have to adhere to such stringent regulations. From an environmental point of view, the atmosphere is a 'global commons', so bad air pollution from China won't adhere to Chinese borders but harm us all, ultimately...