alexclaber said:
Interesting (as an Acme owner)! How do they compare?
Alex
Those who have been following this thread since it began sometime during the reign of Queen Victoria

may remember that I was going to perform (with the help of
jivetkr and
slinkp) a "bass cab taste test" featuring the Acme Low B2, the Schroeder 1210, and the EA CXL112, as powered by iAmp800, Demeter/Stewart, and Eden heads.
That will happen. Someday. Really.
In the mean time, my impressions (very subjective) are that for my tone, at low volumes in small room - such as my livingroom, The Acme is closer to what I want when driven flat. Lot's of the "good" upper mids, with room shaking bottom, lots of (good) stuff happening at sub 60 hz. I can get close to that overall sound with the 1210, but only after taking a chunk out at 500hz.
However:
Once you turn the amp up and/or get the cab into a bigger room, the need to use EQ to get those results with the 1210 dissapears and it sounds fantastic running flat. The Acme Low B2 is loud when standing near the cabinet and the 1210 might be slightly louder in the same position (it certainly is way more efficient

)
But
The biggest difference in favor of the Schroeder is that it cuts a bit better through the other instruments (the low-mids are just
so present!) and it projects thoughout the room better than any other cab I've owned. If it's loud enough for me standing next to it, then it's loud enough for everybody in the club, and it will saound pretty much the same everywhere in the room
Bonus: Andy does not recommend drilling holes in the Acmes for casters, but Jorg will actually install casters in his stuff for you for a small fee! (Check to see if he still has time to do that, though!)
Seriously, they are both terrific cabinets that take two very cool, completely different approaches from the legions of Ampeg/SWR/Eden clones out there. I intend on keeping both.
That being said, if I had to bring only one of them to a gig, I probably would bring the 1210, which is exactly what I've done this past month.
Someday I'll bring them both on a gigging situation, but living in New York, I'll probably wait until I
have to, as transporting gear by taxi makes you want to travel as lightly as possible. This is such an omnipresent fact among New York musicians that you can usually tell where a band is from by the nature of their rig... In fact, I used to play a game at gigs by looking at the rigs of other (unknown to me) bands. The game was called "New York, New Jersey or Long Island?". I can't remember the last time I was wrong.
Oh yeah, and I
will do that cabinet "shoot out" soon.
Really.