I use the reissue exclusively. It can get stupid loud through my vintage Ampeg 8x10. My guitarists both use 4x12’s and Science 100 watt heads and I have no problem competing with them. We ply loud but definitely not at the level of some doom bands.
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With knobs at noon, the V4B has flat response, whereas the SVT is a little more voiced with a low hump starting at 100 hz and gets gradually darker as it goes up the frequency spectrum. Not too much but a little bit. But you can get basically the same sounds out of either by working the tone knobs, and I use them interchangeably.It’ll sound *in the ballpark* of an SVT being that they have the same preamp but different power tube requirements. @JimmyM could you please chime in and give the nitty gritty?
which 2x15?
Mr. Jimmy, don't see ya 'round these parts often. Thx for dropping by!With knobs at noon, the V4B has flat response, whereas the SVT is a little more voiced with a low hump starting at 100 hz and gets gradually darker as it goes up the frequency spectrum. Not too much but a little bit. But you can get basically the same sounds out of either by working the tone knobs, and I use them interchangeably.
Always happy to help out the folks who play at baby-killing levelsMr. Jimmy, don't see ya 'round these parts often. Thx for dropping by!
When I've messed with a V4B I felt like it had a little more mid honk to it than an SVT-CL. Maybe that is the flatter EQ of the V4B talking.With knobs at noon, the V4B has flat response, whereas the SVT is a little more voiced with a low hump starting at 100 hz and gets gradually darker as it goes up the frequency spectrum. Not too much but a little bit. But you can get basically the same sounds out of either by working the tone knobs, and I use them interchangeably.
It’ll sound *in the ballpark* of an SVT being that they have the same preamp but different power tube requirements. @JimmyM could you please chime in and give the nitty gritty?
Maybe, but you can successfully add the mids back if you want them. I use the 800 hz setting for it.When I've messed with a V4B I felt like it had a little more mid honk to it than an SVT-CL. Maybe that is the flatter EQ of the V4B talking.
which 2x15?
So Ive been really looking into these Ampeg V4B reissues. If anyone has experience with both the original and reissue, do they sound relatively the same?
Definitely ask them to show you their praise and worship pedalboards.Well, I finally got around to looking for a new band and I got some leads on a few heavy-ish projects around the Bay Area, talking to some folks who do some mathcore/metalcore stuff so they sent me some material today to start working on. Its not normally a genre I really listen to or know a lot about so I've started listening to some stuff there and, well, its interesting. I'm gonna see if I can drag some Chelsea Grin or Obscura influence into this, or maybe some of our favorite praise and worship band...
Big plus is these dudes can write stuff in standard notation, which is awesome. While I can't sight read at speed, I can at least read music (slowly, anyways...) and its a huge bonus for learning ish.
Who knows, at the very least its some new and interesting stuff to learn and if it doesn't work out, well, fsk it.
If I was into pedal making, I'd make some kind of cool but gnarly fuzz/delay/whatever for bass and name it 'PRAISE AND WORSHIP'.
Let's brainstorm here and make it happen, put out a small run, and donate the proceeds to the Chruch Of Latter Day Satans.
Volume for each and a blend for them? or just two vol pots...How about a dual pedal in parallel?
Have one side be a just a drive/distortion of some sort, with a nice 2 or 3 band EQ.(I'd call this side Praise)
Have the other side be an octave fuzz, like a Super-Fuzz clone. (I'd call this side Worship)
Volume for each and a blend for them? or just two vol pots...
How about a dual pedal in parallel?
Have one side be a just a drive/distortion of some sort, with a nice 2 or 3 band EQ.(I'd call this side Praise)
Have the other side be an octave fuzz, like a Super-Fuzz clone. (I'd call this side Worship)
Just sayin OD into Muff. The DOD 250 into a Big Muff sounds killer, are both commercially available as kits, and it works really well with th theme.
So much so I literally want to do this now even though i’ve Never made a pedal.
This pedal needs to be adorned with some stolen Jack Chick tract.