You know I've been doing gigs with the R40, right?(restaurant lounge; guitar, drums, me)
Yes, this is true. I’d say you’ve mentioned using the 40 more than your 200. You guys don’t usually run to your amps to the PA, do ya?
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You know I've been doing gigs with the R40, right?(restaurant lounge; guitar, drums, me)
Be patient my Belgian friend... Only a few of them worked out the time difference (@Aaron Houts )
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Try never. We used to at one venue, but that was mostly to pump the sound into the separate "smoker's bar". I invested in all the[stuff](amp mics, mixer, bass amp mic, cables)which now sits in a duffel bag. Our 'crowd' is mostly 55+ and they wanna be able to talk to each other. Why, I have no idea, but they do.Yes, this is true. I’d say you’ve mentioned using the 40 more than your 200. You guys don’t usually run to your amps to the PA, do ya?
Try never. We used to at one venue, but that was mostly to pump the sound into the separate "smoker's bar". I invested in all the[stuff](amp mics, mixer, bass amp mic, cables)which now sits in a duffel bag. Our 'crowd' is mostly 55+ and they wanna be able to talk to each other. Why, I have no idea, but they do.
BTW, the guitarist uses a 15W amp and the drummer is often too quiet.
That was the Sunday afternoon open mic/jam at the local H-D dealer(not my regular(?)band). I had the R200c for that gig. Still no instruments through the PA.That’s hilarious, GP. Gee, we even ran my bass through the school’s PA last year when playing up on stage. That allowed me to get away with the R100.
How about those videos I watched where you guys were out on a large cement area and you were spread out a bit? You’d have to have something just so your drummer could hear ya. Small clubs and restaurants I could see, but outdoors too?
Santa has a note excusing him from OSHA’s and various other regulations.When I said that Santa breaches health and safety regulations, I should have said what they were.
Work at Height - there must be a steady work platform with guard rails or safety lines on the rooftops and firm hand and footholds inside the chimneys.
Confined Spaces - there must be a rescue team and oxygen analysers for inside the chimneys. A supply of oxygen must be there for low levels.
Control of Substances Hazardous to Health - there must be reasonable protection from the soot and dust inside the chimneys.
Personal Protective Equipment - protection from the dust must include high filtering masks and eye protection.
Santa must do risk assessments for every household he goes to.
The mating call of the wild Walloon!2x Cough![]()
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Swink played Gomez’s cigar!Wait a minute, Swink starred in the Addam’s Family? Well now don’t that beat all? Royalty amongst us. I knew there was something about him I liked.
That was the Sunday afternoon open mic/jam at the local H-D dealer(not my regular(?)band). I had the R200c for that gig. Still no instruments through the PA.
The other videos which had a sax man with us was our regular bunch through a provided PA-w/monitors. Those are the videos when I used the Kustom 150 or the Kasino playing my Epi EB-3. The K150 and EB-3 are gone.
Playing a hall/gymnatorium, I'd prolly use the R 200c. The hall we're in for NYE is pretty big. I used the 200 b4. Might use the 100. I gots to think about it.
EDIT: for the NYE(and the NYEE)gig we'll be guitar, drums, me, and a different sax man. Lotta "dinner music", light jazz, classic rock, and ?. And the Finnish National Anthem.
I need it about like I need more taxes.
That's why he's missing throughout the year; he's applying for all the get-outs.Santa has a note excusing him from OSHA’s and various other regulations.
Amen to that. Listening to some great tunes by JD McPherson and his band made me want to play with others even more. Maybe I can talk my wife into pulling out her violin over the weekend?Me too, whether they are micro or not. I just want a gig!
I've gigged a number of times with my MB150E-112. It can handle most drummers, and coupled with a 410 extension cab, I used it with a pretty aggressive drummer. For only 150 watts, it's pretty impressive.I keep reading how players are using GK’s 110 and 112 to gig and I’m thinking, how? I need to take a listen more closely. I know the 112 is a couple hundred watts with DI Out, but what about the 110? Isn’t it a hundred watts? Perhaps with a low-volume acoustic group?
Lying in bed now that the presents from Santa are wrapped for the 5 year old. I worked hard today to cook him a nice Christmas dinner. He didn't like any of it and said the Turkey tasted "like beige". I have to admit it was a bit dry.
I haven't bought a new bass in over two years, but I indulged in a lot of other bass related stuff this year. So I'm only getting a wah pedal from Santa. I'm going to have some fun with it, and some beer, once the son has headed over to mom's.
Here is a pic of the beige turkey.
View attachment 4101817
EDIT: for the NYE(and the NYEE)gig we'll be guitar, drums, me, and a different sax man. Lotta "dinner music", light jazz, classic rock, and ?. And the Finnish National Anthem.
I hear ya. I finished up my studio with a Furman power strip and an Ampeg SCR-DI pedal to be my default preamp going into the interface.