- May 30, 2000
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Aren't these supposed to be shipping now?
They should be, I could have bought one at Penn State at the ISB conference last month.
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Aren't these supposed to be shipping now?
I am not really expecting it to replace a big electric rig (2x12's), that is unreasonable IMO. However, if it has a more direct upright sound and enough volume to do a small/medium electric gig (i.e., close to what a Markbass 121P 1x12 combo will put out), I think it will be a nice small rig. With the Cabrio setup, you could have the Ten2 and a cab for kill volume (I dunno, Schroder 2x12 or Epi 3x10) and that's it.
I know I'm a little late to the party here, but I figured I'd pipe in since I've tried the Ten2 and I own a Markbass 121P myself... and I'd say that the Ten2's "girth" and volume comfortably matches - if not exceeds - that of my black 'n' yellow combo.

...I've played in a Rat Pack stage show in an auditorium for 1500 people (with PA support), and then a bunch of pub and hotel gigs of varying volumes with guitar and piano trios, sometimes with a tenor sax. This cabinet gets loud, and if the stage is too boomy, in addition to the HiPass filter (which I feel should always be used anyhow) there is a switch on the cabinet to reduce the amount of sound going to the down-firing woofer while increaseing the sound to the front-firing woofer. I'm very happy with the cabinet. I've also used it in my practice room with a Wizzy10 as an extension cabinet. I found that this produces tons of volume and yet the full power on the very bottom of the Ten2EX enriches the mid-range sound of the Wizzy in a way that is quite special. I'm playing a LaScala Hybrid Flatback with Evah Pirazzi strings and using a RevSoloII pickup.
William Hoffman
Quote:
how does the output of the Ten2 Ex (used by itself) compare to the other AI Contra Ex or to the Wizzies 10 and 12? does it have as much or less more mid-range? more details, please!
Good question. The Ten2Ex sounds very much like the "Acoustic Image Sound" as exemplified by the ContraEX in that it has the same even and flat response through the entire audio spectrum with no drop-off on the very low notes. However, because there is also a forward facing speaker, it is much more "forward", more like a traditional loudspeaker married to the spreading sound that comes from the down-firing woofer. Another way of saying this is that there is considerably more punch from the Ten2EX than from the ContraEX. On hard swingers, I've gotten a lot of compliments from the guys in the band that the pulse is clear and firm. I find it easier to lock up with the drummer.
While getting the full frequency response requires lower efficiency, and it is not as loud as most bass guitar 2X10s, it is considerably louder than a single ContraEX or even two ContraEX speakers together. I have only been playing jazz through it at what most people would call moderate volumes. However, it has been plenty loud enough, even for good size rooms. I haven't had the volume knobs past Noon yet, and this is with a fair amount of HiPass Filter dialed in so that the volume has been reduced by this. I have also found myself dialing the bass down to about 10:00 with this speaker, on top of the HiPass reduction.
The Ten2EX has replaced a single or pair of Wizzy10 speakers that I've been using for the last 18 months with the same Focus head. While I haven't given up on the Wizzy's, particularly because they are so incredibly lightweight and easy to carry, their sound is very different with their major mid-range emphasis. With the Wizzy10, I was boosting bass to 3:00 (still using HiPass) and reducing the mid knob to 9:00 to try and thicken up the sound a bit. While this EQ adjustment helped, I wasn't able to get as woody a sound as I've been with the Ten2EX. The first time I get a gig that I think is going to require some higher volume--maybe a doubling gig--I intend to bring a Wizzy10 to pair with the Ten2EX. I have only tried them in my practice room, and so far like what I've heard. The Ten2EX gives me the incredibly thick bottom end while the Wizzy mid-range boosts the punchiness. The efficiency difference doesn't seem to be that important since a little "fat bottom" goes a long way when the volumes get up.
Hope this is helpful. This is always so subjective and difficult to describe. In a posting a few years ago, I described the sound I was trying to get (on quarter notes) as "cubes with eased edges." I don't want them to sound like "spheres" or "blobs." In other words, I want the notes to be fat but hit hard. I've been able to do this with the Ten2EX.
Erik Hansen
Scotland
ahhhhstopitstopitstopitlalalalalalali'mnotlisteningtoy'all.....................


Does anybody know if the Ten2 plus the SIII Contra would be a good match for more high volume electric bass gigs? ...