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Vintage Amp Porn

Top to bottom:
1-3. 63’ Fender Pro.
4-6. 67’. Audio Guild
7. 70’ Polaris Bass.
8 68’? Guild Thunderbass
9. 55’ maestro Accordion amp



5E4F93B6-DE8C-46D9-9141-37D81F2D3074.jpeg


From top to bottom:
63’ Fender

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01CEB157-C154-447E-9AF5-62E530C07BCD.jpeg
F329B3B7-F899-4BA2-A185-CD6D3795F8B0.jpeg
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7A63A135-1747-4705-8C22-B2707730B3F1.jpeg
D3C02DCB-5C3A-4E30-9EB9-A92BECAC5B33.jpeg
 
Top to bottom:
1-3. 63’ Fender Pro.
4-6. 67’. Audio Guild
7. 70’ Polaris Bass.
8 68’? Guild Thunderbass
9. 55’ maestro Accordion amp



View attachment 3992304

From top to bottom:
63’ Fender

View attachment 3992305 View attachment 3992306 View attachment 3992307 View attachment 3992308 View attachment 3992309 View attachment 3992310 View attachment 3992311 View attachment 3992312

Last year there was one of those Guild Thunderbass amps for sale not too far from me. Unfortunately it went faster than I could move to grab it.
 
  • Like
Reactions: Kirk Bryant
Kind of weeny compared to some of the hardware in this thread, but I had this up until a couple years ago: A "Univox" 65B.
IMG_1555.png

50 watts (claimed) solid state, single 12" speaker (or 15"? can't remember; the internet says 12" but it seemed larger to me) in a sealed cab. Not sure of the date, I'm assuming mid 70s. Separate head and cabinet but sold as a combo. Eventually got rid of it after realizing that I was hanging onto it because it was old rather than because I enjoyed using it. Replaced it with a Fender Bronco 40 practice amp that's about 1/3 the size and plays both louder and cleaner.

The paper "UNIVOX" logo on the front covers what is probably a "STAGE" logo on the plate. Same company (Unicord) either way. I sometimes wonder whether somebody did this in the warehouse on the assumption that matching logos would help it sell. It's a clean two-color print and carefully applied; somebody didn't photocopy the logo at Kinko's and color it in by hand.
 
Thanks to all that posted. Takes me back to a point in time when musicians being in good physical condition was as much of a requirement as musical mastery. Maybe, being outside and active was better for us physically than staying inside working on our technique.
 
Thanks to all that posted. Takes me back to a point in time when musicians being in good physical condition was as much of a requirement as musical mastery. Maybe, being outside and active was better for us physically than staying inside working on our technique.
Especially if it's computer keyboard technique. ;)
 

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