These bugs are back again......
- By Saetia
- Off Topic [BG]
- 13 Replies
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Speaking as someone with an Asperger’s/autism diagnosis, and with 2 daughters on the spectrum, I don’t know that I’d worry about callouses, but if it is a problem, gloves could definitely be a solution. I use Musician’s Practice Gloves to deal with neurological issues, and they should definitely make a difference. But I wouldn’t worry about it unless/until it becomes a problem.I have narrowed it down to 3 brands for my step daughter’s first bass. A Sterling by music man(the reason being, I love stingrays), a Squire cv bass(upper end Squire), or Ibanez SR. I have a plan to take her to our local guitar center to try them out. Sadly I have never played a Ibanez SR. The budget is going to be $500. For those with experience with the Sterling brand, how will it compare to a real stingray as far as comfort and string spacing goes? I know Sterling gets a lot of hate with quality control issues. Would a Sterling make someone a good beginner bass? I’m dead set on this bass being a 4 string since I started on a 4 string, but I’m sure a competent teacher could teach a student how to begin on a 5 string. Now the scary part. How many times did we develop calluses on our fretting hand’s fingers when we first started? We overcame it and toughened up. She was diagnosed as autistic when she was in first grade. If they still used the term, you would probably say she has Asperger syndrome. Which is on the milder end of the spectrum. The calluses could cause sensory overload for her and I don’t want her to give up. I will give her encouragement but is their a cheat sheet on how to deal with calluses on your fingers? Maybe a light glove or something? I also suspect I’m mildly autistic but my parents never had me diagnosed or if they did when I was younger they never told me.
Yeah, Greg is there, remember noticing that 30 years ago or better.That reminds me of this funny story: When I was shopping for a flattop steel string acoustic guitar a couple years ago I went into this modest-sized Mom & Pop music store in Tucson AZ and started checking out some Yamaha instruments. I played the first two chords from Allan Holdsworth's "Fred" and I swear every employee in that shop stopped what they were doing and came over to listen. One guy -- who turned out to be the store manager -- said "Them sure is some purty chords!" in a voice that reminded me a bit too much of the movie Deliverance.
Is ^^^that the episode where he also played "Do The Nothing"?
If so, I'm pretty sure you can see a pre-Cars Greg Hawkes playing saxophone in either Martin's, or Flo & Eddie's, band.
Next time I use sarcasm I will note it in my post. (sarcasm)OP's first post of the thread:
"Any suggestions for a light weight bass combo?"
Great suggestion! While it did not solve my intonation issue, one of the strings (the D) sounded less bright than the others before, but balances well now, so was probably twisted up and not resonating like it should have.since your bridge captures the ball ends, preventing them from rotating freely when you wind the string on the tuner, I’m thinking twisted strings. Put the saddle back on. Loosen your strings but keep tension on by pulling up and away from the FB. Now push the ball free of the bridge so any twists can release. Pull the string up and let the ball go back in its slot, and wind the tuner back up. Then set your intonation.
Bridges that capture the ball ends and prevent rotation require more attention to prevent twists. Yuck.
The fanned frets was not as much of an issue though.
The E string had a noticeable authority to it as well!Bought myself an expresso machine for my 60th, about 20 shots in it's basically paid for, now I get great shots at home for pennies each.I quit drinking espresso years ago. No I drink Yorkshire tea. I can get if for seven cents a bag. I often us a bag more than once. That turns out to be 3.5 cents a bag. I enjoy it and it is much less expensive than coffee, especially espresso at Peets or Starbucks.
It’ll be here in a couple weeks. My drummer still works at the music store I used to work at. I get a pretty steep discount on ampeg cabs. 60% or so.
Jazz basses are designed for a different sound than a Precision - the pickups have less inductance, and less output. When people started putting Jazz bridge pickups into P basses, they just dropped what they have in there - the two different pickups are not really designed to work well together. What makes it worse is that the Jazz pickup is in a location where it has less low end, which compounds the difference - quieter, and thinner sounding.Why is it that most bridge pickups for Jazz bass or P/J bass sets are lower output than the neck/middle body pickup?
Having played with distortion/fuzz and back to clean setups, I used the bridge pickup mostly for that, and that suited me great for that, but as I am putting one together, I am thinking of going higher output J bridge than P pickup. Like Seymour Duncan Quarter Pounder bridge and Fender Anniversary 62 P pickups.
That would be messy at best...I’m thinking couldn’t you wire an 8 ohm power resistor in parallel with 8 ohm speaker and get 4 ohms?
I replaced some standard rotosound strings on my active bass and WOW! The volume increase was noticeable.I've been using ultramag 45s on my basses for about 10 years. After trying various other strings I settled on these as they feel going and sound "just right". Worth the extra $ in my opinion