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3Leaf Audio Club - Episode 2

My Proton arrived a day early. I assume this wasn't one of the problematic finishes, as it resisted all my efforts to rub off a letter. So far I have only put it through a 5 minute, "proof of functionality" test. Yes, it sounds like a wonderful envelope filter, but that was to be expected. What surprises me is the comparatively consistent output volume. Compared to some known speaker destroyers, (Fwonkbeta and FX25B), which, at the proper settings, can become quite bombastic, the Proton manages to maintain a reasonably consistant output, throughout the whole range of settings. Seems like this would make it very gig friendly. Also, like another favorite of mine, the Joshwah, it feels very easy/quick to dial in.
I almost forgot, the down sweep. I have never encountered a down sweep that sounds as full, and useful as the Proton. How'd he do that??

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My Proton arrived a day early. I assume this wasn't one of the problematic finishes, as it resisted all my efforts to rub off a letter. So far I have only put it through a 5 minute, "proof of functionality" test. Yes, it sounds like a wonderful envelope filter, but that was to be expected. What surprises me is the comparatively consistent output volume. Compared to some known speaker destroyers, (Fwonkbeta and FX25B), which, at the proper settings, can become quite bombastic, the Proton manages to maintain a reasonably consistant output, throughout the whole range of settings. Seems like this would make it very gig friendly. Also, like another favorite of mine, the Joshwah, it feels very easy/quick to dial in.
I almost forgot, the down sweep. I have never encountered a down sweep that sounds as full, and useful as the Proton. How'd he do that??

View attachment 4513145

The combo of a Josh Wah and the Proton v4 is killer.

Two super funky and easy to dial in Auto Wahs, that each bring a somewhat different flavor and approach to the table/pedal board.
 
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I waited and waited and waited on Proton v4s when I decided I wanted a smaller form factor than the v1 Wonderlove I had. But then I saw a Microtron IV in B-stock, snagged it, and have been very happy as far as a funk filter is concerned. I've got a Xerograph Deluxe on the way to use for the synthier stuff. I think a Proton would be a very nice, split the middle option in a small box. But I love filters.
 
I prefer the GR2 over Proton. Think I’d put GR1 above it too, but for the form factor & onboard options the Proton is hard to match.

The wild volume peaks of many filters are non-starters for me. In stark contrast, it’s obvious 3Leaf products are made by a skilled & intelligent *bassist*.
The GR2 is a killer filter. Having owned and A/Bed a GR2, Wonderlove V1 and the Proton V4, I can honestly say you can get them in the same ballpark but with different vowellish sounds. The GR2 had the most distinct sound in my opinion but I personally preferred the Proton and the Wonderlove. Still one of my favorite filters I’ve ever played, and still one I highly recommend.
 
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I waited and waited and waited on Proton v4s when I decided I wanted a smaller form factor than the v1 Wonderlove I had. But then I saw a Microtron IV in B-stock, snagged it, and have been very happy as far as a funk filter is concerned. I've got a Xerograph Deluxe on the way to use for the synthier stuff. I think a Proton would be a very nice, split the middle option in a small box. But I love filters.
I owned the MicroTron IV and the Proton IV and thy're both great filters. But the Proton is so easy to dial in... Impossible to get a bad sound out of it. The Mutron requires more tweaking, but having the CV in/out on such a small enclosure is nice !
 
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what’s the story with the FTT Black Vehicle? I’ve heard generally good reviews about that and their earlier bass drive, but haven’t heard good clips. What’s the character of the drive like and does it cover OD > Fuzz or is the range limited?

It's a very flexible pedal. Gain range is huge, from a hint of breakup to some serious distorsion, and as the EQ is applied to the effect signal only, there are many different tones with strong and non muddy lows in there. Its touch sensitivity makes it a great contender as an always-on pedal.

It got naturally a mid-forward voicing, favoring presence in a band mix. Prefer it being fed by the QS than upfront in the signal-chain (and feeding the QS), not sure if it's related to the QS / the spot on the pedalboard. I don't use much the boost feature, which is nice if the Black Vehicle is always-on. It's neatly done as it's possible to favor a pre-gain boost or use it to make it sounding louder with the same amount of gain.

But yeah, sounds great with these pedals. QS->BV before the comp, LS and SS to give it more edge and cutting mids, or adding some fatness.
 
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Evan, have you ever tried matching the attack speed on the Chromatron to the Proton? I'm curious how close the Chroma can get.

I found that I could dial the Chromatron to match any settings in the Proton, but not the other way around. The Proton was tuned really well though and ultimately it took the spot on my board the Chromatron was enjoying. It was close enough for me and the bigger win with the Proton was it was easier to switch between my preferred sweep up to sweep down sound. On the chromatron, I had to flip 2 switches and twist 2 knobs, the chromatron was one switch and one knob.

In hindsight, I should have gotten another Proton to have 2 on the board one tuned up the other tuned down. Doh...
 
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