Well, the more that I play with the new Payson strings from @Blues Cat, the more I'm finding that I'm enjoying them. In particular, I made a lot of use a newly designed string of his (I'm not sure it's actually publicly available - Payson?) made for Drop A tuning. While it may be designed for Drop A, it feels
great for standard B as well - not too tight by any means. At the same time, in Drop A, it feels
great under finger and pick. Next week I'll make some recordings during rehearsal - I, like a fool, forgot to grab the power for my interface, so I couldn't make any tonight like I had wanted to / planned to do

.
I don't really know the details of the string or what Payson did to make it feel this way. At rehearsal tonight, it just felt so very nice, especially as I bounced between standard and Drop A tunings. Hopefully he can chime in here and at least talk a little about the details of it since I can't (I hope that doesn't violate the CUP). Previously, with Dingwall strings and even the standard set from Payson, when I dropped to A the string was just a bit too loose feeling for what I play. For a spell, I had a Kalium string on the B, and Paysons on everything else, to make that Drop A really work (and, as such, Pi was always in Drop A, and Pi was in standard). Now, I feel like I don't need to do that.
Next week, I'll also get to spend a little more time with the new F# string from Payson too. I have one more F# from Kalium on the way, so I'll be able to do a pretty direct head-to-head of the two, for those that may be interested. I know I'm not the only one going to F# with their Dingwall, but I also know that not many folks do