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Dingwall Owners Club

Let us know ow how alternating between a long scale and short scale works. Until my SJ5XXX arrives I'm alternating between an ABI and a Roscoe SKB 3005 with only a slight oops here and there. Wondering if an all Dingwall rotation will be even easier (I assume it will). BTW, just a stunning bass!

I have been alternating between a Z3 and a SJ5 for a couple of years. This new SJ5 replaces my old one, which I sold. I have no issues switching but need to look at the fretboard more often! Since I love the tone of the new SJ5 so much, and its new to me, I probably won't be playing my Z3 for a few weeks...Here is a picture of that one:

20150811_141726.jpg
 
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I have been alternating between a Z3 and a SJ5 for a couple of years. This new SJ5 replaces my old one, which I sold. I have no issues switching but need to look at the fretboard more often! Since I love the tone of the new SJ5 so much, and its new to me, I probably won't be playing my Z3 for a few weeks...Here is a picture of that one:

View attachment 889549

If you sell it I want first dibs!
 
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Let us know ow how alternating between a long scale and short scale works. Until my SJ5XXX arrives I'm alternating between an ABI and a Roscoe SKB 3005 with only a slight oops here and there. Wondering if an all Dingwall rotation will be even easier (I assume it will). BTW, just a stunning bass!
I don't even have any Dingwalls at the moment but one of my basses is a Peavey Cirrus long scale and I just got a Hofner short scale. I was dreading having problems going between them but actually it really is easy for me; surprising actually.
 
Well, the more that I play with the new Payson strings from @Blues Cat, the more I'm finding that I'm enjoying them. In particular, I made a lot of use a newly designed string of his (I'm not sure it's actually publicly available - Payson?) made for Drop A tuning. While it may be designed for Drop A, it feels great for standard B as well - not too tight by any means. At the same time, in Drop A, it feels great under finger and pick. Next week I'll make some recordings during rehearsal - I, like a fool, forgot to grab the power for my interface, so I couldn't make any tonight like I had wanted to / planned to do :(.

I don't really know the details of the string or what Payson did to make it feel this way. At rehearsal tonight, it just felt so very nice, especially as I bounced between standard and Drop A tunings. Hopefully he can chime in here and at least talk a little about the details of it since I can't (I hope that doesn't violate the CUP). Previously, with Dingwall strings and even the standard set from Payson, when I dropped to A the string was just a bit too loose feeling for what I play. For a spell, I had a Kalium string on the B, and Paysons on everything else, to make that Drop A really work (and, as such, Pi was always in Drop A, and Pi was in standard). Now, I feel like I don't need to do that.

Next week, I'll also get to spend a little more time with the new F# string from Payson too. I have one more F# from Kalium on the way, so I'll be able to do a pretty direct head-to-head of the two, for those that may be interested. I know I'm not the only one going to F# with their Dingwall, but I also know that not many folks do :)
 
Say I wanted to special order a blue ng2 4 string tuned BEAD.

How long am I looking at. I'm going on tour for two months. And would love to have it when I got back.
Most probably would be 6-7 months unless you can find a dealer with one on order.
 
Well, the more that I play with the new Payson strings from @Blues Cat, the more I'm finding that I'm enjoying them. In particular, I made a lot of use a newly designed string of his (I'm not sure it's actually publicly available - Payson?) made for Drop A tuning. While it may be designed for Drop A, it feels great for standard B as well - not too tight by any means. At the same time, in Drop A, it feels great under finger and pick. Next week I'll make some recordings during rehearsal - I, like a fool, forgot to grab the power for my interface, so I couldn't make any tonight like I had wanted to / planned to do :(.

I don't really know the details of the string or what Payson did to make it feel this way. At rehearsal tonight, it just felt so very nice, especially as I bounced between standard and Drop A tunings. Hopefully he can chime in here and at least talk a little about the details of it since I can't (I hope that doesn't violate the CUP). Previously, with Dingwall strings and even the standard set from Payson, when I dropped to A the string was just a bit too loose feeling for what I play. For a spell, I had a Kalium string on the B, and Paysons on everything else, to make that Drop A really work (and, as such, Pi was always in Drop A, and Pi was in standard). Now, I feel like I don't need to do that.

Next week, I'll also get to spend a little more time with the new F# string from Payson too. I have one more F# from Kalium on the way, so I'll be able to do a pretty direct head-to-head of the two, for those that may be interested. I know I'm not the only one going to F# with their Dingwall, but I also know that not many folks do :)

I'm glad you're liking them Selta.

The .170T and .145T are not available yet. We're tweaking the F#0 to obtain more harmonics. We're doing the same to the .145T too, just to see.
 
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I have been alternating between a Z3 and a SJ5 for a couple of years. This new SJ5 replaces my old one, which I sold. I have no issues switching but need to look at the fretboard more often! Since I love the tone of the new SJ5 so much, and its new to me, I probably won't be playing my Z3 for a few weeks...Here is a picture of that one:

View attachment 889549

If you sell it I want first dibs!

@thumbs&fingers, I'm sure I said that long before you did. ;)
 
I'm glad you're liking them Selta.

The .170T and .145T are not available yet. We're tweaking the F#0 to obtain more harmonics. We're doing the same to the .145T too, just to see.
Put me down for a new one of each when you have the new formula done :D
I didn't find the F# to be lacking in harmonic content - at least, not much more than others. It doesn't have a wooly feel to it - but I run a fair amount of mids dialed in and some dirt thrown on top which may be helping. I'll take a little more traditional approach with it when I get back from vacation, and see how I feel about it (and, will post or let you know privately, accordingly).