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Stoner/Doom Bassists Thread, Part 90: Maxed Out

I just do not "get it" when I see this. Is it me? Am I just to old, or does the Japanese taste in music confuse anyone else as well?
J-pop is shaging weird.

There is some great bonafide Japanese metal, though. Like Sigh, Church of Misery, Boris, and Gallhammer.

Joe what's the output of the mudbucker? And I'd just use all 500k audio taper pots.

Could also maybe wire a switch in with a cap to cut boomy lows when you want.

Your getting me itchy to try the
EB-0 again before I sell it. 32k mudbucker into the dually should alert my house neighbors I have arrived.
A proper mudbucker is usually about 30k or so, right?

I've always been curious as to what one that powerful would sound like in the bridge position.

Yes... But with the BDDI thats not easy. This is why I'm hopeful the VT-RM will help. Plus running two cabs will help with the dispersion.
Yeah, I think a BDDI would be tough for me to use. I have a VT Bass pedal. I like that better. It's been serving sort of as my backup.

Understood....I'm going to try first with the new power amp rig and then decide if I need to bump up in guage. May just go back to .130 and have these in stock.
I use a .130 gauge low B, though I use a .100 gauge E. Seems to work. Using XLs.

In accordance with TB doctrine: you need a fEARFUL 12/6.
Psh, no way. 1515/66 at least. Or a Dually. Or two. Dual Duallies.

Just catching up after a super busy couple of days at work, so many things have been talked about I am interested in! I'm on the app so can't be bothered to quote but touching on a few things people have said...

I've decided to go BEAD with the T-40, going to get it done professionally this time though. I use that .145 string mentioned on my Squier and it's great but opting for power slinkys this time. We shall see if they hold up!

I'm also using a rat (tail) for fast and low riffs, best I've found for that so far!

My DiMarzio model Js also make my bluebeard crap out at full volume :(

Just got the VT bass DI yesterday, not had much time to play with it but sounds good instantly, not a huge "wow" from it but I appreciate it sounds good so that probably has more lasting value.

Ordered a polytune mini noir too, should make things on the nano sit a bit better, hopefully get it tomorrow!

Phew.
.145 sounds like a bridge cable, lol. Maybe if I tuned to Ab or something.

I like the VT bass, though I don't have the DI version.

you could use a micro head for sure.

you could also wear tampons too.

anything is possible.
Tampons? Psh. You must do a lot of swimming, or wear a lot of thongs. Pads are where it's at, clearly.

Diva/moon cups are the best solution, though, of course.

What I'm saying is the S was all about clean. Never really able to get any OD grit tones out of it. This was before I messed with dirt pedals so I flipped it since the band I was in dissolved.
Hit it with a boost?

Damn you guys play far back, over the fretboard or as far back as the P position that's it.
I usually play between the pickup and the neck (or between the two pickups, on my Rickenbacker), or between the pickup and the bridge.

What did my uncle have me blowing up at his birthday?



lol my friend drove me to the meeting place because he wanted to eat nearby. He's about to sell his car so I just hid the porn in his car for the new owner.
Surprise porn. I hope the new owners are some old couple.

Man I woke up to vicious beer and fried chicken based diarrhea, then walked fast as I could in a 40 pound weight vest for four miles and sweated a bucket full in the 90 degree heat. I feel light as a feather now.
I usually take immodium before going to bed if I've done a lot of drinking, especially if whatever I ate was... well... not the kind of thing to come out without unpleasantness.

Group by?
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I want this shirt. I have no money, currently, though, so can't assist.

I work in a strip club. We got those clear poles that look like Plexiglas or something. I just watched one snap and the girl hit the floor. She is one of our smaller girls too. I wasn't even playing doom.

First pole I have seen break in 24 years of doing this.
Damn, that's poopy. Poor lass.
 
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Also, electronics question:

What makes a volume pot a volume pot, and a tone pot a tone pot? What's different in them that the volume pot can be used to take the entire signal down, but the tone pot turns down only the high frequencies?


Also, is it possible to get a pedal built that's the same as my Big Muff Pi, but with the tone knob able to be toggled in and out of the circuit?
 
BrokenPole_zps307a7095.gif


Now we have a stage with a spike of DOOM on it. I have been keeping the girls off of it so we don't have any casualties.
 
Finding the vt-rm to be as silly for settings as the bddi but well give it a good shake. What's crazy is the bddi still sounded ok at times. Still in knob turning mode. I like the svt settings just a hint of grit. Need both 2x10 for confirmation this is going to work . Running the 2x10 and 2x15 combo as a stack sounds clean.

Keeping the bddi off so I'm not dependent on it for base settings if the Vt.

Added the bdpg and may have a winner if it is as helpful at high volume. Warms up the blower box and TFR.

Laced up the .130 balanced set on and will see if that helps stop the boomy bs. Popped the j pickup out and swapped the stock foam under the ground strip for double sided tape to drop the pickup. May do the same for the p set if I'm still seeming to blow to hot.
 
Also, electronics question:

What makes a volume pot a volume pot, and a tone pot a tone pot? What's different in them that the volume pot can be used to take the entire signal down, but the tone pot turns down only the high frequencies?


Also, is it possible to get a pedal built that's the same as my Big Muff Pi, but with the tone knob able to be toggled in and out of the circuit?

Tone pot has a capacitor across it so it cuts a certain frequency. Though all pots are born the same... Except schwag... The behringer of bud.

I thought you built your rickenpeavey? I have two 30ish k output mudbuckers, ones currently in my epi EB-0 other on a shelf, I really want to have them both in one bass as well. I'd just need to keep the EB-0 or find a new host bass and get to routing some serious wood.

I'd mod that existing big muff for a tone cut switch before I paid someone good money to build an entirely new pedal to get that switch option. There's a big muff with tonal bypass and wicker out there, maybe that's on the new bass models as well.

Yeah I've seen some pretty good falls from broken heels/clumsy ass/etc. Seems like the guys feel sorry and start tipping harder.
Everybody wants to be "the one" to cheer her up.

Sounds like you've been around a lot of gentlemens clubs my friend.

I went once with an ex who wanted to go, then once with a friend for his birthday and because I had to see live nude wrestling... Bucket list people! It was kinda cool guys got so excited it became a $1 bill bukkake, and a lot landed on me so I recouped some of my cover charge :p
 
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Also, electronics question:

What makes a volume pot a volume pot, and a tone pot a tone pot? What's different in them that the volume pot can be used to take the entire signal down, but the tone pot turns down only the high frequencies?


Also, is it possible to get a pedal built that's the same as my Big Muff Pi, but with the tone knob able to be toggled in and out of the circuit?

You can get different kind of pots (linear and logarithmic) but either can be used for volume or tone. The difference is how they are wired and that there is a capacitor connected to the tone which determines the effected frequencies. I think...

As for the muff, I would expect that is possible, my bluebeard is one of the later models with this mod. Pretty beastly, kind of wish it was on a footswitch!
 
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Reactions: Sartori
Tone pot has a capacitor across it so it cuts a certain frequency. Though all pots are born the same... Except schwag... The behringer of bud.

I thought you built your rickenpeavey? I have two 30ish k output mudbuckers, ones currently in my epi EB-0 other on a shelf, I really want to have them both in one bass as well. I'd just need to keep the EB-0 or find a new host bass and get to routing some serious wood.

I'd mod that existing big muff for a tone cut switch before I paid someone good money to build an entirely new pedal to get that switch option. There's a big muff with tonal bypass and wicker out there, maybe that's on the new bass models as well.
I modded my RickenPeavey. I routed out the pickup cavity for the Rickenbacker pickup, and slapped a new bridge onto it (the ground wire is just smooshed between the bridge and the body), as well as cutting down the pickguard so it only covered (part) of the control cavity.

I then too it to my local shop and told them to wire it up and set it up for BEAD.

Tonight, re-soldering the wire to the output jack was my first time actually soldering anything on it. I had just noticed that the pots, except for the cap, on the tone pot, look the same (they're the stock pots).

Since pots are apparently pots, and it's only the cap that makes one a tone pot, could I conceivably drop in a second pickup and just take the cap off the tone pot and turn it into a second volume pot? I'm thinking of adding a second pickup, eventually. I'd probably move the jack to the side and use the whole in the control cover for a pickup switch.

As for the pedal, well, I don't want to shag it up. Also, I want to get a custom graphic, mainly to be gross, given that I want it to be of a big hairy vulva with the clit where the toggle switch is.

You can get different kind of pots (linear and logarithmic) but either can be used for volume or tone. The difference is how they are wired and that there is a capacitor connected to the tone which determines the effected frequencies. I think...

As for the muff, I would expect that is possible, my bluebeard is one of the later models with this mod. Pretty beastly, kind of wish it was on a footswitch!
What's standard on basses, if there is one? Linear or logarithmic?

The problem with my fuzz pedal is that I find it pretty much only usable if I'm using my wah pedal at the same time. Otherwise it just gets lost in the mix. I'm thinking a toggle switch would allow me to make it useful in the mix by cutting out the tone part, while being able to toggle to the regular muff sound for the wah section of All is Sorrow.
 
What's standard on basses, if there is one? Linear or logarithmic?

The problem with my fuzz pedal is that I find it pretty much only usable if I'm using my wah pedal at the same time. Otherwise it just gets lost in the mix. I'm thinking a toggle switch would allow me to make it useful in the mix by cutting out the tone part, while being able to toggle to the regular muff sound for the wah section of All is Sorrow.

Not sure if it's standard but pretty sure I got linear for mine.

I think the tone bypass would be great for that!
 
  • Like
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Also, electronics question:

What makes a volume pot a volume pot, and a tone pot a tone pot? What's different in them that the volume pot can be used to take the entire signal down, but the tone pot turns down only the high frequencies?


Also, is it possible to get a pedal built that's the same as my Big Muff Pi, but with the tone knob able to be toggled in and out of the circuit?

Only difference is the capacitor.
 
  • Like
Reactions: Sartori