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Thunderbird Club

Just like that but a stage full, the guy I hit ended up in hospital with a broken jaw and cheek bone I'm told
THAT'S my girl!!!

You didn't ask to be put in that situation, and you illustrated your displeasure effectively (AKA - F*ck ME??? F*ck YOU!!!)

real cheers.jpg
 
Actually that incident made the centre pages of the daily Mirror (entertainment pages back then), my parents were so upset as they made it sound as if we all just attacked the audience without provocation, it wasn't that long after the Pistols were on the Bill Grundy show
Not as good as page 3 of the SUN..
 
I respectfully disagree. Logic would indicate that once they're smashed up, one is no better than the other;)

Also... we were discussing Townsend's "lost revenue" due to all the instruments that never achieved "vintage" status cuz he smashed 'em up. As you indicated... there was no Squier at the time...
HUH?! Now I'm foozed...o_O:laugh:;)
 
I've had a mishap happen at least once with my headstock and a ceiling fan I forgot was on.
I've accidentally hit people in the head with it too, these instruments need a warning label.

BTW, if you'd like a club number just post us a pic of your Bird :)
 
On with 20 questions:
How do you guys go about learning a new song you are covering? Do you do it on your own to a CD before working it out with the band or do you just sit down together and learn it?
I listen to it, get the riff and the form, get the bridge... sometimes there's a sequence of things to map in my mind (or on pape if I'm inspired enough, lol), like the several part "bridge" in Red Skies At Night... whatever I don't pull together gets put aright at rehearsal.
 
I'm generally stage left, by the hats. Not always. The 'Birds are polite. The P and the P-Bird both have head seeking headstocks. I don't know what it is about the 7ender paddle headstock that has to bash things and people, but there it is. I very rarely smack anything with a Gibson. Go figure.
Feel free to pick the most appropriate GenPop answer...

...well, obviously the reason you never bash any heads with your Gibby is because the neck diving headstock is always down at their ankles!;)

Or

...well, obviously the reason you never bash any heads with your Gibby's headstock is because it already broke off!;)

Hey, somebody has to remind us every now and then about the many faults of our basses of choice, otherwise we'd forget what they were since we rarely ever experience them. :thumbsup:
 
On with 20 questions:
How do you guys go about learning a new song you are covering? Do you do it on your own to a CD before working it out with the band or do you just sit down together and learn it?
We learn our own parts first. I will get a recording of the song and open it in Soundforge on my music PC so I can isolate and repeat sections. If it's challenging, I will slow it down (or maybe just sections). If there is a bass score, I will refer to that on difficult-to-hear parts, but my reading skills are minimal.
 
We learn our own parts first. I will get a recording of the song and open it in Soundforge on my music PC so I can isolate and repeat sections. If it's challenging, I will slow it down (or maybe just sections). If there is a bass score, I will refer to that on difficult-to-hear parts, but my reading skills are minimal.
I use Cool Edit, when I have a computer...