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Thunderbird Club

too grabby or too slidy?

I change the angle of the neck frequently while playing so I like a little bit of slide without grabbing too much.

No resistance - to emphasize ... if the bass is designed to balance well to begin with, any strap will work with it. I use wide "grippy" suede-backed leather straps for T-birds. That and looping the strap on top of the upper lower bout. No issues what-so-ever after doing this.
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This is my "fix" for a straight-forward strap hook-up on a T-bird shaped object. (as in, no need to loop the lower-upper bout) 12th fret strap-peg location works every time.
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I’ve never been one to lock into all tube signal chains. Played through plenty of great sounding SS amps and Tube amps and Hybrids. In fact one of my favorite hybrids has a SS preamp with tube power section vs the more typical tube preamp with SS power section. I haven’t a clue how things work behind the scenes but I do know a good sound when I hear it, and that’s all I really focus on, no tube purest mindset for this hack. If a tube pedal or a SS pedal on the front end makes things sound better I’m all for it. :thumbsup:
precisely my point… I get an amp that works for me right off the bat and dial it in….If it needs any type of band aid, it ain’t the amp for me…
 
:thumbsup:
It's the re-branded Sunn (Fender) 300T, yes. I had one, let it go for home reasons, and just ran into one again in a pretty fortuitous moment.
It's been jacked up with oversized tubes and a transformer helper to keep heat down.
Picking up Monday.
And yeah, features... I'm going to be a while getting the new amp-chops together!
from what I read on that KT-120 tube and that mod…you should have headroom for days….:thumbsup:
 
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The problem is they don't really drive the amp into overdrive, the mosfets distort themselves, I use an EBS Valvedrive with a 12AX7 in it, it sounds pretty good, I can even get that great Mel Schacher sound with it, an SVT driven to the point of distortion is REALLY loud. Mel used natural distortion to get his sound but those amps were 200 watt heads not 300. I have a 200 watt Marshall Major that you can get to break up without killing people but it's still really loud.

Yeah, you have to recall that "driven to distortion" in most tube amps means the power stage is driven to distortion. And that inevitably means loud, unless you are using something like a PowerBrake with it.
 
Same here. Cats buy a nice tube amp and get their distortion from transistors and thingies in a stomp box.... I get the switching from clean to distortion, but it seems a lot of guys aren't getting Marshall distortion, but Ibanez. Go figure. To me that's like buying a nice SVT (etc), but then using a amp simulator in front of it.
yeah, totally with you….i can totally appreciate someone’s rig and what they did to get there but don’t try to convince me that sweet tone is coming from that misused piece of expensive kit…
my ex colleagues at UA are doing some pretty cool bass tone stuff with these…
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Same here. Cats buy a nice tube amp and get their distortion from transistors and thingies in a stomp box.... I get the switching from clean to distortion, but it seems a lot of guys aren't getting Marshall distortion, but Ibanez. Go figure. To me that's like buying a nice SVT (etc), but then using a amp simulator in front of it.
Funny thing is, when I was playing guitar I threw a number of pedals in front of the amp. But on bass, the only thing in my signal chain after the bass is maybe a tuner. Just never really took to pedals with bass.
 
Thanks. May be a bit too expensive for me 'though I'm the first in line when somebody makes the Lab Series L2 -based preamp as a pedal.
The Spark Booster could do things in front of the Hiwatt too.

I just purchased a Chase Tone Secret Preamp. They're not too pricey, and based on the Echoplex preamp. People seem to rate them very highly, I'll definitely be testing it out with my DR103.
 
There were a few guys in Miami back in the day using them for guitar also. Sick amps.
Listen to Steely Dan's "Reelin' in the years" those guitar solos were recorded through an SVT amp with 8X10 cab, which seeing the overdrive was probably on "Search-for-cover" volume levels.