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I am a Dinosaur

my tone is my pedalboard ...

This is what I am currently using for effects.

View attachment 2824213

1 - First I run into an equalizer

2 - Then I split the signal into 4 parallel signals with a rolls mixer.

3 - I run one of the parallel lines into the Line6 bass pod where I model an acoustic 360 with a rat or big muff distortion pedal. I use this to get a retro growlly distorted sound. Or I also model an Ampeg fliptop with the Rat Distortion pedal. And I also Model an old Marshall amp. With the bass pod I can get a wide range of clean or dirty sounds and various effects and model different amps and speaker cabinets.

4 - The second parallel signal goes into a MXR bass di+. I use this pedal to get a clean modern sound. It also has a distortion button that can give a moderate to extreme amount of modern distortion.

5 - The third parallel signal goes into a Marshall Guv'nor. This gives me an old 60s marshall stack sound. This can go from a small amount of distortion to an over the top marshall sound. This effect can give you a the classic Jack Bruce Cream tone.

6 - The fourth parallel signal goes into a Tech21 VT Bass pedal. With this effect I get a slightly dirty Ampeg SVT bass amp sound with a tube like growl.

7 - Then I remix the 4 signals back together and run it into a bass amp, or pa, or studio mixer. Because the signals are parallel I can mix clean and overdriven sounds together and still get effect and a sound that punches through the mix.

Schematic diagram of my effects.

View attachment 2824214

Very impressive setup!
Do you run this through an uncolored amp to maintain your carefully crafted tone? I have a Line 6 and like the samples but use it only for practice under the presumably mistaken impression that it doesn't so great through a cab...
 
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Very impressive setup!
Do you run this through an uncolored amp to maintain your carefully crafted tone? I have a Line 6 and like the samples but use it only for practice under the presumably mistaken impression that it doesn't so great through a cab...

I run it into any amp ... my usual amp is an Ampeg b3
 
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my tone is my pedalboard ...

This is what I am currently using for effects.

View attachment 2824213

1 - First I run into an equalizer

2 - Then I split the signal into 4 parallel signals with a rolls mixer.

3 - I run one of the parallel lines into the Line6 bass pod where I model an acoustic 360 with a rat or big muff distortion pedal. I use this to get a retro growlly distorted sound. Or I also model an Ampeg fliptop with the Rat Distortion pedal. And I also Model an old Marshall amp. With the bass pod I can get a wide range of clean or dirty sounds and various effects and model different amps and speaker cabinets.

4 - The second parallel signal goes into a MXR bass di+. I use this pedal to get a clean modern sound. It also has a distortion button that can give a moderate to extreme amount of modern distortion.

5 - The third parallel signal goes into a Marshall Guv'nor. This gives me an old 60s marshall stack sound. This can go from a small amount of distortion to an over the top marshall sound. This effect can give you a the classic Jack Bruce Cream tone.

6 - The fourth parallel signal goes into a Tech21 VT Bass pedal. With this effect I get a slightly dirty Ampeg SVT bass amp sound with a tube like growl.

7 - Then I remix the 4 signals back together and run it into a bass amp, or pa, or studio mixer. Because the signals are parallel I can mix clean and overdriven sounds together and still get effect and a sound that punches through the mix.

Schematic diagram of my effects.

View attachment 2824214
I think I'll take a couple aspirin and lie down
 
I cant see any advantage for using effect pedals for playing bass... except maybe for tuning.

I once swore I'd never use pedals, play more than 4 strings or solo. Of course a couple years later there was a trio gigging frequently in which I'm playing a 6-string, using a lot of pedals and taking solos. I've become a better bassist, musician, and bandmate for it.

It depends on the music and what the other musicians involved can or can't do. Most bassists using effects in a dense mix are wasting their time. You really can't tell out in the room if there's chorus or not, or sometimes even if there's fuzz. Just get a good tone that sits in the mix and play.

In duos or trios however, especially if playing freaky music, bass can be less of "just the bass" and more of a full-fledged instrument; offering sound textures and moods to great ...effect; things that if there were a guitarist, or a horn section, it'd probably best be left up to them but someone's gotta do it and to quote Bugs Bunny "Could be you, Doc!".

Effects can be an inspiration. Some riffs or parts aren't effective without them, or wouldn't have been written without them. If it's the bassist making those sounds, or who has the creativity to express ideas that way, who cares as long as it works for the music, performers and audience? If you'd prefer to plod along on a P bass playing strictly 12-bar blues, that's fine too.

Today some of project require me using up to 15 pedals, and being the musical and personal focal point. Most projects involve me using none. All for the greater good.

Live and let die.
 
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Yeah, I don't get it either.

My board:
IMG_20170819_180810.jpg
 
Could you explain to me the point of your, frankly downright nasty posts, in the 'Bass Humor' section?....

I don't get what you're trying to achieve here......:sour::rollno:

Well Frederick, on the subject of irony, it is ironic that someone starts a thread on a guaranteed divisive topic strictly to stir things up and then you take me to task for my comments. My only 'point' is sharing my opinion which you may accept or reject. If you don't like my posts, you are free to make use of the 'ignore' feature, as I have done when I find someone's posts offensive or not worth reading. :thumbsup: