• TalkBass has been independent since 1998. Add your voice.
    Create a free account to reply to discussions, view embedded media, and browse with fewer display ads.
    Join freeLog in
    Want zero display ads or expanded classifieds tools? Compare plans.

SPECTOR® Club - Part 47

Status
Not open for further replies.
USA Spector INCOMING!!

Been sitting on this for a few days, but it looks like it's official. This baby is on it's way to me. Hopefully it will make the perfect companion to my NS-5H2MM! Man I love the less curved body of the USA Bolt Ons.

_IGP6373.png

_IGP6379.png

_IGP6382.png
 
It's a matte euro lx.....it does have an EMG BQC pre so a step up in theory from the tone pump....I just could not get my tone.....messed with the Thunderfunk 550 and the BQC......color me yellow.....for pissed! Lol

Maybe try the TP in it??? From what I've listened to with members here that have put up sound clips, the BQC is really hot and sizzles a lot. Maybe too high frequency??? I'm just throwing out thoughts. The TonePump seems to have more low, low mid punch and more high clarity vs the BQC. personally I'd install the OBP 3, so you'd have more on bass control as its a 3 band pre-amp. Or go for the gusto and install the USA 9V circuit if and when you can get one. Just thoughts brother. :D
 
Hey just wanted to say thanks for all the well wishes.

More importantly, it occurred to me that I could have picked a better time to mention my status rather than "piggybacking" on Omer's announcement - I typed that reply to his post without thinking, and after the fact it made me think I was stealing Omer's thunder which was not intentional at all. So apologies to you Omer for having to share the spotlight - I know that's a special announcement. I hope I didn't ruin it for you.
 
USA Spector INCOMING!!

Been sitting on this for a few days, but it looks like it's official. This baby is on it's way to me. Hopefully it will make the perfect companion to my NS-5H2MM! Man I love the less curved body of the USA Bolt Ons.

Hey, that bass looks familiar. That is a beauty so congrats on the new purchase.

Interesting that a luthier would reccommend a string gauge. :eyebrow: :bassist: :D

Luthiers work on stringed instruments so I don't find that as odd in the least bit. The problem is, there are so many bad ones out there that it's nice to see ones that suggest things and know what they are doing.

Maybe try the TP in it??? From what I've listened to with members here that have put up sound clips, the BQC is really hot and sizzles a lot. Maybe too high frequency??? I'm just throwing out thoughts. The TonePump seems to have more low, low mid punch and more high clarity vs the BQC. personally I'd install the OBP 3, so you'd have more on bass control as its a 3 band pre-amp. Or go for the gusto and install the USA 9V circuit if and when you can get one. Just thoughts brother. :D

Just an FYI but the BQC is a 3 band pre that also has a mid sweep knob.
 
Well it's Phil Anselmo during the Trendkill days so did anyone really understand him at that point? :)

I linked it right at the guitar solo so there really aren't any lyrics after that except for him saying "die" about 50 times, LOL. Unless you went back and listened to the whole track.

Yep, it wouldn't load on my iPhone so I downloaded the mobile full version.
 
Ok after finally getting to play my new amp this morning and finally testing out the Plum Wimbish, I have come to two conclusions. 1. The amp is replacing both 400+'s (angels singing) 2. I do not like the Tone Pump. I played my Kramer and the Wimbish, the TP has nothing on the 9v for my uses when turned up the TP was noisy, Kramer quiet as a mouse. The treble and the bass of the TP have no center cut/boost, don't like that. The TP lacked the bottom that the 9v has also. I might be getting another TP equipped bass some time in the future and will compare that also. :hiding:

Note: the Kramer is equipped with a current 9v haz.
 
Ok, first off, I'm now playing with a band in which there is just a single guitar coming through a Marshall. I have to bring some lows to round things put, especially during solos. In my previous band, there were two guitarists and I had to fight to be heard at times because the Mesa and carvin v3 would creep down into my frequencies. In my previous band the Spector could be used as it had this ping and cut you all talk of. I need a ROUNDER tone now with full bass.

Having said that, the matte finish or an oil finish is a good option, especially since the gloss adds Ping.....and I'm not a fan of the tone pump as I pretty much keep my pre flat and let my bass amp do the tone shaping. I miss my 15s and lead sled rig......I'm going to compare the Euro to the Warwick Streamer Jazzman I have played for the last 6+ years next week to see what's up.......or maybe it's time to break the stage rig out of storage???? However my Thunderfunk 550B and Aguilar db112 and 112nt should do the trick????

For rounder full bass tone then go with the OBP 3.
 
Agreed.

I started playing when I was 13 (I'm 38 now) and I'd say it took me a good 8-9 years to finally get to a point where I realized I needed to play for the song rather than individual glory. I started out quick learning all the Metallica and Megadeth I could in my first couple years. I had chops early on but not a lot of wisdom to go with them.

Someone might listen to the bass parts I've just done on our forthcoming release and think - "he's not bad, just adequate, etc." I picked my spots. I'm playing in a band with two guitars, keys and full orchestration at times. It wouldn't work if the bass was all over the place doing whatever. I play for the songs.

The biggest compliment I got was from our keyboardist, a much younger guy, who was mixing and assembling everything. I turned in my tracks and he didn't have any notes. He just told me I nailed it perfectly with timing, and did just the right amount of melodic flares and fills. That made me feel good. I don't want to be seen as an overplayer.

Now in cover bands? That's a different story. I will do the most ridiculous bass fills at the end of stuff like Journey or Bon Jovi just to amuse myself. :)

+1 on playing for the song! :bassist:
Now we're talking! Journey and Bon Jovi! :D:bassist:
 
Since we had a big discussion on the Tone difference between Matte vs Gloss. Listen to the following clip then answer the survey below to to guess which was the Matte and which was the Gloss

Answers are confidential. It will be interesting how many of us can tell the difference.

One clip is the Woodstock Matte Forte-4 the other is the Woodstock Gloss NS-2. Both have 9v USA circuits in them.
Same Dunlop Steel strings, all bass and recording settings equal.

[Invalid or Expired Link Removed]

Survey [Invalid or Expired Link Removed]

Done. And the ping factor is out in full force :D I think I am going to cringe every time I hear the word ping after yesterdays "conversation."
 
Last edited by a moderator:
I am doing some bass tracks for a instrumental project for a friend. http://www.reverbnation.com/matthewhoward , he has sent me the guitar tracks and he has someone that is replacing the dig drums with live drums. The tracks I have with the live drums so far sound 200% better and gives me something to play to. After we are going to play some shows as a three pice so I will have to really be able to support the rhythm. We got together last weekend and the Kramer really filled the void. We'll see next time we are able to work together how the Wimbish plays out.

Nice! Really full and bad to the bone low bass tone! Great job!!:bassist:
 
With all this discussion about the TonePump, I'm wondering if I should consider getting the USA 9v circuit for My LX when I get it :confused:

I would at least give the TP its due consideration before you make that decision. Everyone has their own idea of what sounds best, and you may find it gets you where you want to be.
 
Status
Not open for further replies.