I also pickup the random guitar gig.
My rig has been pretty fluid. Thanks in advance for your patience:
Most of last year I ran a weekly residence jam where I had to haul a vocal PA; I tried to keep my rig simple. D-style modified Fender HRDLX with a Celestion G12-65. Maybe a chorus or uni-vibe, but never a need for any dirt pedals; The amp managed that.
With a 2001 Les Paul Special Faded Double-Cut:
Here's that amp from a gig 12 years ago, straight in, no pedals:
On gigs where the room acoustics allow some flex and I don't have to haul PA gear, this sometimes gets used. 2001 Fuchs early prototype ODS with '70s Music Man transformers. Andy Fuchs built this one in his New Jersey basement.
Cab is an open back 112 with a Celestion G12-65. With a 2002 Gibson CS-336:
The Fuchs overdrive channel, from another 12-years-ago gig:
I've also got one remaining Marshall 4-holer left out of three 50-watt plexis, a bass/1986 circuit (Duane Allman circuit) with an added post-phase-inverter master volume that does a nice job producing a managable volume level without losing the tone and feel of a cranked bass plexi. Also has a 3-position bright cap selector that goes from bass circuit/no cap to lead circuit cap. It's a great sounding amp, though the head alone is pretty bulky/heavy, and it because it really sounds best through at least a 212, it doesn't see a lot of use these days.
That said, it's got some character. This clip is straight in, no dirt pedals, around 8 years ago. The dry sound's probably not everyone's cup of tea, but I like it's dynamic range.
With a 212 oval-back cab - Celestion G12-65's - and 2002 Les Paul '58R:
Best for last - same Marshall bass rig with a 2010 RW Strat plugged straight in:
My rig has been pretty fluid. Thanks in advance for your patience:
Most of last year I ran a weekly residence jam where I had to haul a vocal PA; I tried to keep my rig simple. D-style modified Fender HRDLX with a Celestion G12-65. Maybe a chorus or uni-vibe, but never a need for any dirt pedals; The amp managed that.
With a 2001 Les Paul Special Faded Double-Cut:
Here's that amp from a gig 12 years ago, straight in, no pedals:
On gigs where the room acoustics allow some flex and I don't have to haul PA gear, this sometimes gets used. 2001 Fuchs early prototype ODS with '70s Music Man transformers. Andy Fuchs built this one in his New Jersey basement.
Cab is an open back 112 with a Celestion G12-65. With a 2002 Gibson CS-336:
The Fuchs overdrive channel, from another 12-years-ago gig:
I've also got one remaining Marshall 4-holer left out of three 50-watt plexis, a bass/1986 circuit (Duane Allman circuit) with an added post-phase-inverter master volume that does a nice job producing a managable volume level without losing the tone and feel of a cranked bass plexi. Also has a 3-position bright cap selector that goes from bass circuit/no cap to lead circuit cap. It's a great sounding amp, though the head alone is pretty bulky/heavy, and it because it really sounds best through at least a 212, it doesn't see a lot of use these days.
That said, it's got some character. This clip is straight in, no dirt pedals, around 8 years ago. The dry sound's probably not everyone's cup of tea, but I like it's dynamic range.
With a 212 oval-back cab - Celestion G12-65's - and 2002 Les Paul '58R:
Best for last - same Marshall bass rig with a 2010 RW Strat plugged straight in:
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