Thank you. Good thing, too, or I'd have to ad the thread about which forums to be afraid of to ones that I'm afraid of.Not the first time, won't be the last![]()
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Thank you. Good thing, too, or I'd have to ad the thread about which forums to be afraid of to ones that I'm afraid of.Not the first time, won't be the last![]()
The added feature of secret knocks is that the tempos remain constant. This means no drummers can crack the code and sneak in (and subsequently be fired on the spot).The DB secret knock is Shave and a Haircut.
The secret knock to the secret jazz rooms is the first 5 notes of the Johnny Carson Tonight show theme played with appropriate swing. The swing thing keeps the symphonic players out.
The secret knock for the hidden classics section is a series of 32 semiquavers at allegro tempo followed by an audible moan and a 52 measure rest.
So what do drummers use for a secret knock? Wait, I know. One that constantly speeds up.The added feature of secret knocks is that the tempos remain constant. This means no drummers can crack the code and sneak in (and subsequently be fired on the spot).![]()
They can't break the "Ballad Code" knock either, because that one doesn't speed up or get really loud.So what do drummers use for a secret knock? Wait, I know. One that constantly speeds up.




C♭, B♯, E♯, F♭
It can get heavy over in DB sometimes. Then again, they dont have torts and effects to quibble about.
I find several of these "discussions" very educational. If you want to find out everything, start an argument with an expert.
LmaoC♭, B♯, E♯, F♭
It can get heavy over in DB sometimes. Then again, they dont have torts and effects to quibble about.
I find several of these "discussions" very educational. If you want to find out everything, start an argument with an expert.
Then there’s the “Slow Up/Speed Down”So what do drummers use for a secret knock? Wait, I know. One that constantly speeds up.
Amps is the forum where I most often regret making a post. The main issue seems to be that there are a higher percentage of folks there who believe that various long-debated gear issues have in fact been conclusively resolved by science, and they therefore angrily or dismissively treat anyone daring to argue to the contrary in a same manner as they might treat someone who argues that the world is flat.
I'm not scared, but I've had a couple of creepy stalkers who followed me around TB, one who quoted me, changed the language and then reported me. Dumb@$$ that he is, he didn't realize that the database keeps copies of all posts and updates so the moderators were able to check that I hadn't actually violated the rules.
I had another guy on the forum from New York that went on line, did a search on my screen name and found some work related articles that I'd written, then insinuated that there was something wrong with me because I have an actual job. I guess it's better to sponge off your wife than to have a real job. That's even creepier when someone follows you off the forum.
Most of the people on the forum are nice; some are not nice, but not bad people; then there are a few straight up psychos.
Heh, I was a regular on a few USENET groups where threatening physical harm was an everyday thing. Some of those guys are still close friends too, twenty years in.
Same here. Dont bring a swiss knife to a gun fight.I took some theory (and forgot much more than I remember) but alot of guys over there spew out theory off the tops of their heads like I spew out lines from Caddyshack. My fault, I could study more, but the thought of asking a question over there? Intimidating to me![]()
Don’t do the effectsI want desperately at times to make some good spirited, and (I think) funny, jokes over in the effects forum. I dare not ever attempt that again. Just looking at the avatars of some of the posters hanging out there is enough to tame me.
I also shut off notifications to the classifieds and one particular artist forum here. The 2 unsubscriptions saves me a lot of time, money and aggravation. I'm not ascaired of those 2 places though. Just know it's better for me to keep out.
Effects I'm ascaired of.
How about you?
And yes, I know there's no such word but I like it.
ThisNow, that is a refreshing habit. If more people read all of the posts on a thread before commenting on the OP, there would be far fewer misunderstandings and friction. At least that has been my (recent) experience.
I wish I'd penned this. Well doneAll forums are the same - someone's gonna like a post, someone else is gonna think it's stupid. Someone's going to misinterpret, somebody is going to cherry pick something to fit their agenda. But all in all this place is great and the mods do a good job. There are some brilliant people here, without whom this place could well be a dumpster fire.
As others have said, I have learned to stay away from certain threads. Or read them for the chuckles... because you never know what you're going to get, and there's always that one guy...![]()
I took surveying in college, taught out of the mining department. The class works if the world is flat. Newtonian physics works best if time space is flat. I can drive my car if the spare is flat, but two flats, it's walking time.Wait, the world isn't flat?
That's never happened to me here. Wonder what I'm doing wrong?
at least, we aren't playing viola. (By the way, when I played upright, the finger positions were marked with masking tape. No Plucky Duck for me, it was Arco using a French bow. ) 7Yes, yes.... I feel, that the DB side of Talkbass is some sort of unreachable Delta quadrant to which you must gain access through some kind of educational and experiential wormhole, which I have yet to discover the entrance to. The idea of a giant violin with a long, unmarked ebony fingerboard, plucked with the fingers, being a useful tool to create accurate and expressive music confounds me to this day.......![]()



