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Thunderbird Club

I toyed around with a similar idea back about ten years ago but quickly abandoned it after I realized that it could all be done much more effectively and efficiently with a pedal and there’s dozens of options out there to choose from.

I really meant to catch the date and missed it, this thread started on February 18, 2014, so it's 10 year anniversary was a few days back..............Shall we rock on? :)

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I’m still green with envy over that Jackson.

Do the pickup rings have any purpose out are they just aesthetic?
They encompass the pickup and help shape the magnetic field for a tighter more defined sound with more pronounced attack. A great EQ modifier for pretty much any bass.

BTW - I have a bridge for sale if you’re interested, and it’s not a Hipshot.

I may not have been as clear as needed in mentioning "Round Cores," not simply rounds. Regular Boomers (virtually all round wounds, in fact) are hex and have more mids and are also a little more stiff. Round cores sound a little bigger, which I suspect is because the round cores have less pronounced mids.

Possibly you have clarified and I haven't gotten that far yet, but are you thinking darker or brighter; more or less mids? Flats maybe?
Actually I’m looking for an incredibly bright string in this application.

Just scored tix for PJ Harvey coming to the SF Masonic in October. While her current and previous records are not necessarily the stuff she does that I like, it is on a Friday night and I can always hope she’ll bring out some really early stuff as well as stuff from “Stories from the City,…” , “Let England Shake” and “White Chalk”

…marketed as “An evening with…” makes me hope for a long or split set with no opener. Maybe that make for time for a lot of older material.
Love me some PJ! That little thing has some serious pipes! Love her style along with Mazzy and PET and NY Loose and a dozen other hard rockin female lead singer bands from the 1990’s to the 2010’s. Should be a great show.
 
I would be too…my 72 P got stolen out of a HS band locker!..some definite hanky panky on that one…..at least insurance got that one covered and allowed for my first Ricky…
Insurance paid for my '78 P as well. About $1'200 I think they gave me (about 2x what I paid for it). The adjuster was a guitar player and really understood instrument prices. It was actually a good thing. I had not played for a little over 20 years and not even touched a bass during that time. I kept being asked to play but pushed it off. I let a guy at church use the bass and it was stolen from there. Not his fault at all. When I had to do the research to suggest it's worth and get numbers on my side for the church insurance, I really began to realize how much I missed playing and got sucked back in. In that respect, that bass bass getting stolen was absolutely one of the best things that ever happened. I love playing.

Bonus: Had it not been stolen, I would have never known anyone here, and that's worth a lot.
 
A rare non-bird has shown up…. I only had to do an even trade for the most expensive base geetar I ever bought….

but I got me a 1979 Rickenbacker 4001FL. I had to trade my Rickenbacker 4003AC for it, but I honestly never thought I’d get a factory fretless.



n
ow I just need a 64-67ish non reverse thunderbuzzard II and I’ll be ready to take over the known universe.

and maybe that ripper that @Ringhammer posted earlier

Congrats, dude. That's purdy.
 
...Actually I’m looking for an incredibly bright string in this application.
OK, I was thinking of the EBCFs as bright and you wanting to darken up a bit. I'm not a bright string person, but the obvious choice you no doubt though of would be Rotos. SIT SS are pleasingly bright but not harsh and yet sound big. Less mids, I'd say than Rotos. Marshall swears by Dunlop Super Brights. Might be a really good option. An exposed core string could tend to be more clear and bright as well. I love an exposed core E. Those old Fender Super Bass sets were really great.
 
Somebody say mustang?!?!

Seems to be some unrest in Mustangs here? I have a 1973 all original one for sale:

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Starting high, because I have someone that says they will pay that, after they sell something, but I don’t necessarily believe that deal will come through.
 
Most black guitars don't do it for me, but I love that.
Thank you.

You know Miles, the finish, the fretwork, and the neck are all first rate. The Artec pickup was kinda meh for me, but if one likes a clear sounding pickup, it’s perfectly fine. But it absolutely kills now with the Gibson Vintage Reissue in it. I think mine is from the third run with a sculpted body that is really comfortable.

I think George only sold it to me because he wanted a second pickup in the bridge position that better suits his preferred right hand position. He didn’t want to route it to add a pickup because they are so rare. The finish is so nice, that it would have been a shame to disturb it. So he decided to offer it to me. I am so happy he did! And that he has now found a IV! I’m jealous because his incoming one is blue. Like V’s amazing II.

I actually have as many black guitars as I have blue ones. I like the look. The BaCH, the Gibson Studio, the VP, the Goth, the Epi Nikki Sixx Blackbird, and a Squire Strat.
 
Insurance paid for my '78 P as well. About $1'200 I think they gave me (about 2x what I paid for it). The adjuster was a guitar player and really understood instrument prices. It was actually a good thing. I had not played for a little over 20 years and not even touched a bass during that time. I kept being asked to play but pushed it off. I let a guy at church use the bass and it was stolen from there. Not his fault at all. When I had to do the research to suggest it's worth and get numbers on my side for the church insurance, I really began to realize how much I missed playing and got sucked back in. In that respect, that bass bass getting stolen was absolutely one of the best things that ever happened. I love playing.

Bonus: Had it not been stolen, I would have never known anyone here, and that's worth a lot.
ok, that does it….so if we moved the GTG to Louisville would you show up?
 
I toyed around with a similar idea back about ten years ago but quickly abandoned it after I realized that it could all be done much more effectively and efficiently with a pedal and there’s dozens of options out there to choose from.


I’m still green with envy over that Jackson.


They encompass the pickup and help shape the magnetic field for a tighter more defined sound with more pronounced attack. A great EQ modifier for pretty much any bass.

BTW - I have a bridge for sale if you’re interested, and it’s not a Hipshot.


Actually I’m looking for an incredibly bright string in this application.


Love me some PJ! That little thing has some serious pipes! Love her style along with Mazzy and PET and NY Loose and a dozen other hard rockin female lead singer bands from the 1990’s to the 2010’s. Should be a great show.


[Invalid or Expired Link Removed]

These are similar to the rotos I mentioned
 
Seems to be some unrest in Mustangs here? I have a 1973 all original one for sale:

[Invalid or Expired Link Removed]

Starting high, because I have someone that says they will pay that, after they sell something, but I don’t necessarily believe that deal will come through.

That's pretty sweet! Far too rich for my blood though. A used JMJ would be me really stretching.
 
Seems to be some unrest in Mustangs here? I have a 1973 all original one for sale:

[Invalid or Expired Link Removed]

Starting high, because I have someone that says they will pay that, after they sell something, but I don’t necessarily believe that deal will come through.
Mustangs are nice basses. I got my ‘68 in ‘73. I paid $250.00 for it. I sold it for $500 in ‘83 when I was heading off to grad school. It was in decent shape, but showed wear. That, and the $600 I got for my Kasino amp and cab made my first year doable without having to go into debt. Oh well, live and learn.

I’d be interested in yours, were I not gassing for a Bicentennial, a Greco, and a fiver.