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A Professional Musician is a person whose main career is in music with appropriate qualifications. A full-time Musician is a person whose work is in music but not necessarily with qualifications. Semi-professional musicians are those who have any sort of day job and play in music part-time...

Hi! I suggest a Danelectro. Lightweight, uncomplicated, thoroughly reliable and a choice of shapes and sizes - and affordable.

Hi! I had a Danelectro Longhorn between 1967/8 and 1972. It was converted to a 5 string in London. It lasted me a good 5 years and I chopped it in for a "superior brand" whilst in Stuttgart on a 60 day tour in 1972. I replaced it a few years ago with a standard 4 string. I do have a Rick 4001...

I now have 3 bass guitars. 1). a 1972 Rickenbacker 4001 Stereo Bass. 2). a Fender Squier Precision Bass. 3). a Danelectro Long Horn Bass. I have just converted a cheapo guitar to a Baritone guitar which...

The safest way to go through two amps simultaneously, whether same make or not, is to use a Junction box and cord(lead, cable) from guitar into junction box then separate leads out of 3 way junction box. Best if leads are quality screened and JB is too.

Cases! I put my case........, no, seriously, When I bought the Rickenbacker 4001 in 1973, I bought the case with it, a plush lined hard case. For other bases, I have a soft gig bag and some unlined gig bags for keeping my other guitars in. When working on a daily basis, moving around a lot, a...

I have 3. Rickenbacker 4001 Stereo Bass. 1973. Fender Squier Precision Bass. 2011. Danelectro Longhorn bass. unknown. Arth.

In the late 1960s, I exchanged a bass that I did not get on with for a Danelectro Longhorn bass, with a 5th string added in a conversion by a London luthier. It was tuned to B or C above the open G string. That bass served me well, had slick action and a better sound than expected and went on...

I suggest leaving as it is. I have no idea as to why anyone wants to mess with a perfectly preserved instrument just to make it look "old & worn". That comes with age, hard work & general wear & tear. I would imagine that messing with the cosmetics would devalue the bass.

I built mine in about 1974: a stereo bass rig with Altec bass speakers. 3/4" baffle board is essential for the T nuts to hold the speakers tight. Still working well today. It has operated as a P.A. and on a couple of occasions, it ran record players. It has separately connected speakers. I built...

I have built a number of cabinets - 2 bass ones in the picture. I built them in 1974. 2 x 2 15" Altec 421 8 H bass speakers. 40 years later they are functioning as they did then as a stereo rig for the Rickenbacker 4001 (1973). Because the enclosures are rectangular boxes, there are 2 sides 1...

It looks hopeless. Don't bother talking about it and line up another band as easy as that. Seems like a waste of time and effort - your time and effort. Volume is not a priority, balance of instruments comes first. Just a social get together really for Johnny-no-mates.

I am probably too old to help you find your direction but you should be able to get going after a couple of months with semi-pro band experience. Too much emphasis on utilization of technology these days detracts from musicianship. Some people would call it toys for boys. If your members are...

The guitar family has New and Used. A shop-owner can buy a new guitar and it may not sell for 2 or 3 years. The stock item is unplayed and still technically new. Used: instruments of certain quality and cherished models and brand names can easily appreciate in value. Lesser makes and models...

For touring days (1960s-70s) and long hours residencies, I had a Danelectro Longhorn bass: it was very light weight, had great action and sounded just like any bass should. I bought the Rickenbacker in 1973, it is quite light, incredible action and indescribable sound!!!

One thing that I can say: About 2 years ago, I bought a couple of old used Carlsbro Cobra keyboard combos. I already had a Carlsbro Viper bass combo and a Sessionette 75. All require P.A.T. testing for portable use. I took the Cobras to be tested at a Music shop. They failed and the...

That seems way off beam to me. If your amp seems too "powerful", just turn the volume control a bit anti-clockwise until you get the volume that sits well in the mix.

I had a bass amp head in the late 60s/early 70s as transistors were taking over from valve amps. That had reverb or vibrato on it but I never really bothered with it.

Whatever good bass guitar you have, your rig should be lined up for the work it does. One cabinet is sufficient for rehearsals and small venues but larger venues could benefit by connecting both. Studio work can be direct into the mixer unless you are doing live, then one cabinet should suffice...

It can give a person a degree of self satisfaction and a sense of achievement. Tonehenge (look to the left) is now over 40 years old and still weighs two hundredweight. The thing is, it was built to last and I built it. My neighbour with a particular woodwork tool helped and was studying noise...

Mines a 1972 model 4001 Stereo in Fireglo.

My stereo bass rig I built myself in 1974-ish. The speakers that I bought are 4 x Altec 421 8H bass speakers. The design of cabinets had gone out of production so I built my own. The bass amp was created by a port-graduate of Melbourne University living near Oxford. I dubbed the rig Tonehenge...

You could try changing the neck but all the choices are down to you. The option is to trade in the one you have for one you prefer. You could consider putting a kit job together as well - at least you have plenty of ways round your issue.

100 watts - in my day would certainly have been way over the top for playing in an otherwise all acoustic band. In fact, I often used a 50 watt head in a guitar + bass + drums with vocals. All electric except drums. That was quite sufficient. Volume is not the priority. Balance of the different...

In 1969 onwards, my little old band attended several gigs by such bands. Yes was one such band that I recall seeing several times. Also - someone mentioned King Crimson. We went to that band's debut at the Marquee club in London. Also saw Genesis twice a decade apart followed Peter Bardens'...

What's wrong with a Marshall?

Basics really. Most starters have a very limited budget and a used combo is the best choice. it is convenient for rehearsals and smaller venues but as you make progress, you may find that a larger rig will be necessary. i built 2 cabinets in the mid 70s and had a stereo amplifier built by a...

A 1 x 15", if you mean a separate speaker only cabinet. Go for a bargain - must be some in your locality. I found a Carlsbro Viper for about £50 in a charity shop a few years ago. Old tech but reliable sound with E.Q. Plus Viper extra sound effect and a 15" speaker. Just right for small jobs. It...

Other points not covered: you can still do military work without necessarily being in the military but it would be less financially secure and you can fit in civvy jobs too. If you are really keen, you must be totally focused on sight reading as an Army bandsman. That will be all important for...

Not much you can do about it unless you have a properly signed contract. The guy has obviously used you so I would move on and find another band and ensure that your paid work gets the reward that you deserve. Normally, you would get advice from your Musicians Union. Or Federation in U.S. &...

The best neck in my collection, 9 guitars, 3 basses, is the Rickenbacker Stereo 4001, 1973 (from new). No comparison, although I can cope with the Dano and Squier PB.

It takes years to learn an almost infinite amount of music on any instrument whichever approach an individual takes. The academic approach requires different skills from the Folk approach, which includes Rock etc. Generally thinking, a player can only play the one instrument at a time. A bass...

First, replace the faulty patch lead. Then try each pedal individually and see by process of elimination if the shock is still getting through one or other. Don't do bare foot. Check all earth/ground wires on amps etc.

I would say that if your bass is O.K. but just not a top model, upgrade the amp first. However, I did it the other way round because of the circumstances. I bought the Rick bass first when things went pear-shaped. Having bought it, I thought Stereo bass needs stereo amp. I built the 2 cabinets...

Half rounds on fretless fingerboards : your choice. Choice that your predecessors never had. Flat wounds: round wounds AND Half round wounds.

I built my rig with 4 x 15" Altec 421 8H bass speakers back in the mid 70s especially for my Rickenbacker 4001 Stereo Bass. Once the stereo bass amplifier was completed, I dubbed it Tonehenge. <<<view left picture. It all works well over 40 years later. I also have a Carlsbro Viper bass combo...

............and that was nearly 44 years ago!!!

I had a Dano longhorn bass in the late 60s early 70s. It served me well on tours and residencies alike. 60 towns in 60 days meant a lightweight bass was less of a burden than a solid plank. Monthly residencies meant 5, 6 or 7 sets an evening and a light weight bass was a relief once again. Like...

Tube amps need time to warm up. The sound can be controlled with tone controls on both bass and amp. Good rounded tones suit some styles more than others. Valves are made in far fewer countries now such as Czech republic and somewhere in Russia. EL 34s, ECC 83s etc. are the main types.

8 x 10. I never experienced that kind of bass cab. Always used 15" speakers for bass. My 1st guitarist had a Marshall 8 x 10 cab once but I don't recall hearing it in action. I suggest that you make your own choice: if you want it, get it. you can always chop it in for a 4 x 12" or such like...