Sevdog is your avatar the mounted police on 6th street?
No but that would have been a good idea, too....just random police horses with riot gear on. I just thought it was interesting that they're just hanging out all ready to stomp skulls.
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Sevdog is your avatar the mounted police on 6th street?
No but that would have been a good idea, too....just random police horses with riot gear on. I just thought it was interesting that they're just hanging out all ready to stomp skulls.
Having some good email back and forth with a potential new guitarist. Saw his band on Friday and he's talented, ego-free and motivated. Also found out that my old drummer has left the doom band so his schedule is freed up a little. Hate to jinx it before it happens but all of the pieces seem to be falling into place. Feels good!
Ill have to check out we are scientists. I kept thinking the voice was very tenor like jack white, and the music was like he dropped the blues licks and two strings and added another whammy and pog to the equation.
So keen for this show. I missed HoF on their first De Vermis Mysteriis tour. Even missed Old Mate Matt Pike when he came down with Sleep, which I'm still cut about. Not mising out again. Last time I was HoF was at their Sydney Soundwave show. They played two songs and then the power went out on the stage. Took the rest of their allocated set time to fix the issue. By the end of it, they only played three songs and finished with Frost Hammer. Gutted.New HoF album being worked on, and they're also playing 5 shows in Australia for our friends down under: Invalid Link Removed
“Everyone is asking what the new High on Fire music sounds like,” adds Kensel. “Chew on some mescaline and listen to side B of Sabbath’s “Master of Reality” backwards at 78 RPM and it might give you an idea.”
So keen for this show. I missed HoF on their first De Vermis Mysteriis tour. Even missed Old Mate Matt Pike when he came down with Sleep, which I'm still cut about. Not mising out again. Last time I was HoF was at their Sydney Soundwave show. They played two songs and then the power went out on the stage. Took the rest of their allocated set time to fix the issue. By the end of it, they only played three songs and finished with Frost Hammer. Gutted.
Congrats!!!Finally got that full time job. Transfer on 6/23. Been a long time coming. Plus more money and benefits
Yeah, it was a pretty sour experience for an other wise great festival. The Sword played the same day earlier on. So keen to catch HoF properly this time around.That's awful, I'd have been seriously disappointed. Makes me appreciate the fact that I've seen them at least a dozen times. They always put on a face melting show.
Damn, Sartori is blowing up my phone with "like" notifications. I feel so popular!
Well, since it was coming for a while, I guess it's probably quite a relief that the ordeal is over. What ended up happening? You just said "you know what, I don't need this, so I quit"?...and the implosion is official - I'm out of the band. Feels good.
Would look cool.alright fellas...
how do you think this would look with a rosewood neck?.. too much? or....
http://www.ebay.com/itm/LIMITED-EDI...Y-/221442767550?pt=Guitar&hash=item338f047abe
I like the Dimension bass. That said, I like the single pickup versions better. For my purposes, the bridge pickup would be too close to the bridge on the two pickup models. I like I think it's the Modern Player version with the triple coil pickup like an Ibanez ATK, but passive.Really?
I felt that the new Dimension bass was a nice change from plain old jazz and precision.
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I'd like a Jazz body made by Warmoth, with the pickups in the Rickenbacker 4001 positions instead of the standard Fender Jazz positions.I always just intended on get a jazz body made through warmoth, nothing against fender I just like to choose all of my options. Although i wanted Indian rosewood body the price that wood has like double in a year, last year my body was price at 320 I believe, this year the guy said 720!?
It means it's heavy. Literally.What's 180 gram mean?
Too expensive, and also there's only one place I like carpet, and it ain't on music gear.mc_muench plz stahp
EDIT: What are our thoughts? you play too loud 150 watts seems pretty low for a SS head, no?
I like the Character knob set at about 10:30, between the "SVT" and "B-15" settings. I actually really like the dirt on the VT bass pedal, because it's kinda dry and not too fuzzy/mushy sounding. So it's a better approximation of my amp head's overdrive than most overdrive pedals, which I guess is kinda the point. I mainly use it when I'm not going to be able to play through my head. So mostly open mics so far.I had one for a bit. I didn't need the extra features over the version 2. Always preferred the blend 100%wet and bite switch off. Would try the v2 one day but I'm not really in love with its basic flavor.
The Character knob was really cool I just felt like it's dirt was really generic and not touch sensitive enough for me.
Even into my IOD it just made the tone kinda lifeless and McD. Much preferred the Rusty Box for its very lively response and good flavor on its dirt.
Both needed more dirt into them but make for decent "clean" tone. (I don't like completely clean tone I need some mild overdrive and compression)
I haven't tried mine with other pedals so far. Mainly because I tend to use my fuzz pedal quite sparingly.I keep thinking that i want an amp sim pedal like the VT Bass, but then whenever i try one it just ends up making my rig sound worse. Maybe if i wasn't using other pedals it would be better.
+1Maybe bypassing the preamp in your amp would yield better results, can't really do that with the LH1000.
The Hartke LH series just aren't really my cup of tea, due to the passive mids.I think I'm am now against the Hartke LH series now. Their are 3 blown up at a local shop. Pretty sure someone on here also had a problem with theirs.
That's an awesome truck. I kinda want it.[Invalid or Expired Link Removed]
Something dirty have happened in this.
Awesome. Any decent live footage of your set? And any that you can hear your bass in (I find camera mics have difficulty picking up even normally tuned bass)?Home from MDF. Had a lot of fun. Met some great people and drank a lot of alcohol.
Got my first show with the EGC. Performed flawlessly and got a lot of attention from everyone who talked to me. Made friends with the sound guy before we checked, he hooked us up, apparently we were way louder than any other band that played despite using less amps than normal.
Our guitarist got a little too into it at the end of our set and. accidentally snapped the neck off his agile LP which sucked, but I guess made for a good show.
Overall pretty fun weekend.
I've always enjoyed Ed's reviews/demos, even if they're of stuff that I wouldn't buy.Speaking of G&L's here is Ed's review of their new P-bass. I know most of it wont be useful around here, but there is some pick style in there. I find it interesting, as he is using a F112, and from what I understand, plans to use that rig for his future reviews.
Even the reissues (which I actually like better, for guitar) are going for a grand these days.[Invalid or Expired Link Removed]
Is this what these things go for now? Sunn Model T...
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Why are there no handles? What is with this lack of handles on micro amps?400 watt 4lbs JCM800??? Yes please...http://geargods.net/news/guitarists...rice-matrix-unveiled-the-vintage-british-800/
How much are your rates for mixing/mastering?Proximity to bands that would use my services is another issue lol. If you need someone to mix it, hit me up. I rarely ever just mix anything, because mid level bands usually hire one person to do everything, but you can do a lot with mixing, if everything is tracked pretty well. It's kind of a harder racket to break into, since mixing engineers almost always start by working their way up recording, until they get to big enough clients that bring their mixes elsewhere decide to let you mix them. Then people start bringing you work that other people tracked to mix. Honestly, it's way easier for me to mix stuff I recorded, because I already know what's going to be done with it and I'm very clean and careful with my tracking, but I find the mixing to be much more mentally stimulating. That's why I joined that site for mixing contests, just a good way to keep my skills sharp.
Damn, why is it always when I'm broke?Anybody in the market for a Rickenbacker bass needs to contact the following store: Dan's - 328 E New Circle Rd, Lexington, KY, US, 40505 - (859) 455-9858. They have a 4001 Marked at $800 but will go lower. I was passed along the info via Facebook and thought someone here could get a sick deal. It has been fitted with a Badass Bridge and needs a new Pickguard. It has no issues that I'm aware of. I was told that it's in good playing condition.
None of the four places I've lived have had air conditioning. It's actually pretty common on the west coast from NorCal up to Washington not to have AC.Your apartments don't have AC units in any form??
Cool cab, but yeah, uncool price.[Invalid or Expired Link Removed]
The price tag stupid but that cab is awesome.
I love how Alembics look, but I don't think that sound-wise they'd be my thing. If I was getting a custom bass, I'd probably go to EGC or Stambaugh.Would you really spring for an Alembic anyways?
I play that mental game allot. Should I come into a sudden windfall I'm not sure I could blow it all on one thing. No matter how kickass that thing was. Too many areas in my rig could benefit from an incremental boost as opposed just getting one killer bass.
A whole bunch of mid-range stuff > one kickass thing.
IMO of course.
Oh yeah morning to you ****ers.![]()
Yeah, shag that.I love it when someone tells gets on their "you play too loud" high horse.
I had a whole weekend to catch up on.Damn, Sartori is blowing up my phone with "like" notifications. I feel so popular!
Postception.You liked my post about you liking my posts. Inception?
How much are your rates for mixing/mastering?
$20/hr? shag this, I'm moving to the States. The cheapest rates I can find here for RECORDING ALONE is $65/hr :/I usually charge $20/hr for recording and mixing. I usually give estimates based on the individual project, after talking to the client. Flat rates are kind of tricky, unless I have a really clear idea of what the work is gonna be and the client wants.